Change Management Plan

– When creating a change management plan and describe the process that will be used to manage changes for this project. Your change control plan should include a definition for how you will manage change, plans for processing those changes, and how those changes will be implemented. Any analysis and customer interaction should be included as well as approval processes for the plan. You will need to research this item but make sure to cite your sources and be creative!

Note: Ensure that you have incorporated the two events provided by your instructor, an added work event and an unexpected risk event so the change control process will serve as your way to handle these activities.

Risk Management Plan [Author] – Determine your risk management plan using the following items: risk description, risk priority, and risk response for at least 40 risks in your project. Add the risk management plan into your project management plan.

Effects of Predictable and unpredictable environments – We know projects don’t operate in a vacuum. Therefore, the environment is crucial to understand. Based on the work you completed for Part 1 and 2 of the project management plan, change management plan, and risk management plan, what integrative solutions did you use to tackle predictable and unpredictable environments your project faced.

Sample Solution

At the outset of each text, Bimala and Nora are firmly grounded in the domestic sphere. Both women are positioned as housewives whose concerns do not extend beyond the narrow frame of their household “I would cautiously and silently get up take the dust off my husband’s feet without waking him.” (Tagore 18). This effectively removes each woman from matters of the outside world and suggests that there is a sense of privacy and security attached to the domestic household. In doing so, a distinct divide is created between the outside and inside spaces in both texts. This can be seen explicitly in Ibsen’s choice of setting for A Doll’s House, “A comfortably and tastefully, though not expensively, furnished room.” (109), which is clear in its exclusive focus on the middle-class, bourgeoise household. This claustrophobic setting is overt in its marked isolation. It is, at first glance, untouched by the influence of the outside world. However, a close reading of the “tastefully, though not expensively, furnished room.” (109) reveals an unmistakeable consciousness surrounding financial matters. In other words, the pressures of capitalism can already be spotted within the household. In this light, the room’s interiors appear to be a calculated facade imitating comfort yet bearing marks of concern towards matters of wealth and appearance. Mark Sanberg expands upon this idea of innate corruption within the bourgeoise household by stating that Ibsen’s text is concerned with “dis

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