Disasters take place around the globe on a regular basis

Disasters take place around the globe on a regular basis, creating challenges for various stakeholders responsible for managing the aftermath of such disasters. Large-scale disasters bring about many challenges regarding human rights, research, ethics, and social policies.

Search the web for recent natural disaster recovery stories (i.e., hurricanes, tornadoes, and tsunamis). Review the article from your search and then write a report on how different businesses, in different industries, handled the disaster and the associated recovery steps. Then, answer the following questions:

What were the gaps in their recovery plans?
If the gap(s) is not known or published, provide your own thoughts on their disaster recovery gap(s) that you see.

Sample Solution

and Hitler merely finished off.”  Shostakovich wanted the music to depict evil and tyranny inflicted by Germany on his country and also the evil and tyranny being inflicted on the Soviet people by their own government. However, he could only emphasize the German terror in public.   Censorship decreased during the Nazi invasion which gave Shostakovich more artistic freedom.  He wanted this symphony to reach a large audience, and he was inspired by Stravinsky’s Symphony of Psalms.   The Seventh Symphony used both Russian and German themes that the government greeted with approval. For example, the first movement known as the invasion theme could be interpreted as the negative encroachment of the Nazis as they come into power in Germany and impart their ideals and views on the German people.  This is similar to how the Stalin regime transformed the views of the Soviet people. The snare drum solo could represent the agitation and the poor situation of the Germans after World War I. Next the Nazis introduce their ideals and begin to take over with grandiose promises of  jobs and prosperity for all, similar to the promises made by the Stalin regime. This could be represented by the flutes playing a lyrical melody over a dissonant accompaniment that represent the underlying evil.  Also detected in this movement is “Da geh’ ich zu Maxim,” from Franz Lehár\’s operetta The Merry Widow, one of Hitler\’s favorite operas.  In addition, the descending progression of bar seven resembles Deutschland Über Alles.    These were the German themes represented in the movement. As this movement continues, it becomes more and more dissonant and urgent giving the impression of a fall into the adversity of the war.  Shostakovich represents both the Russian plight under Stalin and the aggression of the Nazis through this section.  Shostakovich represents both the Russian plight under Stalin and the aggression of the Nazis through t

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