Drafting a non-compete clause for Sandra’s contract that a court would enforce.

 

 

You are partners in Too Strange To Eat, a bakery in Tampa, Florida that specializes in exotic, expensive pastries. You serve as the General Counsel (ie. the in-house lawyer). The business has grown quickly in its first 4 years and now sells products to stores and restaurants throughout Florida, Georgia and the Carolinas. The bakery is well known in these areas for its secrecy regarding the recipe for your famous “Ant” cake. Its customer list is one of your prized possessions, with customers from all over this region, some from word of mouth, others from online.

 

Sandra has applied for a management position and appears to be the perfect candidate. She has 5 years experience as a food wholesaler and a reputation as a superb amateur chef. Sandra would be hired to analyze the market for new products, create new pastries and other foods, and assist in selling new and existing products. Sandra would work with company chefs, salespeople and customers –just about everyone.

 

You are concerned that if Sandra leaves, she will have confidential information about your business, and that she may either start her own company with this information or work for a competing business.

 

Your assignment, as in-house counsel, is to draft a non-compete clause for Sandra’s contract that a court would enforce. Your non-compete clause should be no less than a half a page, single spaced and Times New Roman: 12-point font. That’s the minimum, but it can be longer. You may have sub-sections to your clause. Please include at least three resources that assisted in your drafting this clause on a separate page. For one of the three resources, please discuss in detail (250+ words) why that particular resource served you best, (e.g. why did you trust it, where was it from, why is it reliable, etc.).

 

 

 

 

Sample Solution

 

 

The Revenger’s Tragedy

Misfortune of Avengers What sort of misfortune is this? By definition, the misfortune is “a staggering, excruciating, dismal occasion”. Notwithstanding, the awfulness of Avengers doesn’t uncover every one of these highlights. It is frightful and abnormal, loaded with wicked, brutal, dead and maniacal grisly clarifications, however this is certainly not a dismal story. Instead of cause the crowd to feel distress, they regularly draw mind blowing doubtful feelings. The reason for the misfortune isn’t inefficient sorrow, however to utilize retaliation as a persuading intends to cause contempt.

Shakespeare’s “Hamlet” shows the overall components found in the awfulness of the retribution of the renaissance (“misfortune of vengeance”). Be that as it may, despite the fact that Hamlet is a misfortune of vengeance, Shakespeare confounds the essential retribution plot by making three vengeance plots. By including significant advancements, Shakespeare makes ‘Ship of the Concentric Revenge Miwa’ (Frye 90) which is definitely not a physical legend yet a phantom, not an apparition, yet a scholarly saint who is an issue. did. viewpoint

In this investigation of retribution and vengeance of Elizabeth ‘s vengeance, the two plays I see are the “Hamlet” of William Shakespeare and “The Tragedy of Avengers” of Thomas Middleton. After first observing the treatment of the dramatist ‘s Avengers’ character, different characters in the play will deal with the Avengers. Despite the fact that their essential topic and shows are comparable, the two plays show a differentiating picture of vengeance; rather than “Vindicator’s misfortune”, Hamlet is an increasingly complex of his hero Provide treatment restricted by the creator’s social data and lacking

The awfulness of vengeance (some of the time called retribution dramatization, vengeance show or grisly misfortune) is a sort of hypothesis whose fundamental subject is the deadly aftereffect of vengeance and retribution. American instructor Ashley H. Thorndiek formally reported the awfulness of vengeance in the 1902 article “Connection among Hamlet and contemporary retribution show”, recorded the advancement of the hero’s retribution plan, and frequently killers and Avengers Brought about his own passing. This sort previously showed up in the early current British distributed by Thomas Kid’s “Misfortune of Spain” in the last 50% of the sixteenth century. Early works, for example, Jasper Heywood ‘s Seneca (1560’ s), Thomas Norton and Thomas Sackville ‘s play Gorbuduc (1561) were additionally viewed as a misfortune of vengeance. Different misfortunes of renowned retribution incorporate the awfulness of William Shakespeare’s Hamlet (1599-1602), Titus Andronics (1588-1593), Thomas Middleton’s Avengers (around 1606).

 

 

 

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