Electoral reform

 

Briefly characterize and (c) relate the relevance of each item to a major theme of the canadian context or to political practice.(cca 110 words per item) .

1. party system
2. electoral reform
3. civil society
4. political culture
5. multiculturalism
6. women’s political representation
7. indigenous political activism

Part 2: six questions will appear on the test. (7.5% each) in an essay-type format. Please relate it in to the theme of the canadian context (cca 200 words per question).

1. How to assess the impact of Canadian civil society on the public policy process?

2. Assess critically the claims of the critics and defenders of multiculturalism policy.

3. How to reconcile the indigenous quest for ‘self-government’ within Canada’s constitution framework?

4. What can/should governments do about welfare by way of policy actions and how?

5. How to explain the lack of comprehensive government policy action on environmental issues?

6. Is Canada’s progressive trade agenda more of a façade that claims to address the distribution of wealth in society than a credible commitment to affecting actual fundamental policy changes?

Sample Solution

Brands do not just use storytelling for no reason, as discussed previously, they use storytelling strategically to make an emotional connection to the consumer which has become a need in modern day. The first of these ‘checkpoints’ is the message of the story. This central message, “is an ideological or moral statement that works as a central theme throughout the story” (Fog, 2004:34). Klaus Fog uses Romeo and Juliet as an example of a moral, being “true love conquers even death”. The consumer is able to internalise and fully understand what the brand is trying to portray when a core moral, or ‘message’ is at the central theme of any story.

The second of these checkpoints is the conflict of the story. “Conflict is the driving force of a good story. No conflict, no story” (Fog, 2004:35). What Klaus Fog means by conflict is not something negative, it is a way in which the storyteller, or in this case brands, can communicate their perception of right and wrong. The reason why conflict is such a big factor to play in stories, is because “As humans, we instinctively look for balance and harmony in our lives. We simply don\’t like being out of tune with our surroundings and ourselves. So, as soon as harmony is disrupted we do whatever we can to restore it. We avoid unpleasant situations, feelings of stress or anxiety” (Fog, 2004:35). By having conflict within a story, the consumer can relate to the brand on a more emotional level, rather than just being skin deep.

Thirdly, the characters involved are a key feature to any story. “In order to get personally involved with a story, we, as readers or listeners, must be able to identify with the characters” (Fog, 2004:41). The use of characters helps to create the emotional connection to the consumer as spoken about previously. The way it does this is because as a consumer, we may be able to see part of our self in one of the characters. This makes a relation between the consumer and the character. The reason for this is because if we can identify with the characters, we can fully embrace and understand

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