“End Game,”

https://www.bostonmagazine.com/2012/07/23/38-studios-end-game/
Thinking about Curt Schilling in “End Game,” argue, in a well-developed essay, that he is a tragic hero
according to Aristotle’s characteristics of a tragic hero as presented in our class notes.Which of
Aristotle’s characteristics of a tragic hero are reflected in Schilling?Use specific references to the story
to show how the characteristics are displayed by Schilling.Which traits are not reflected?Be sure to
demonstrate a clear understanding of Aristotle’s theory by including all the characteristics and using
direct references to the work to support all of your points.

Sample Solution

Star Trek: Into Darkness (2013)

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download (1)A subject reliably abused in film is sci-fi. Interstellar excursions, far off systems, revelations and threats, alongside innovative advancement, unordinary characters and circumstances—all these, just as numerous different components, contribute enormously to the notoriety of books and movies about space. One of the most well known (and cherished) films regarding this matter is “Star Trek”— a TV appear and various motion pictures recounting to the account of the spaceship Enterprise and its group, drove by commander James Tiberius Kirk. In 2013, another film of this establishment has been discharged—”Star Trek Into Darkness,” coordinated by J.J. Abrams, popular for his work with enhanced visualizations.

By and by, I am progressively excited about “Star Wars,” yet I admit to the epic sizes of the story created in various “Star Trek” scenes. This time, we are recounted to the account of a contention between skipper Kirk and friends, and the primary hero Khan, otherwise known as John Harrison in the new film (played by Benedict Cumberbatch). The cast is all new: Chris Pine, Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, Alice Eve, and others. The film’s chief occurred in Singapore, on April 23, 2013; it has become the most monetarily effective film in the whole establishment.

(Consideration! Spoilers ahead!)

To abstain from saying a lot about the film’s plot, I will just outline out the red line of the story. Khan—a hereditarily improved human—is stirred from cryogenic rest by chief naval officer Marcus, who intends to utilize him as a weapon against Klingons. Khan figures out how to get away, submits a few fear acts, executes various individuals from the Star Fleet chamber, and escapes to the planet Chronos. Chief Kirk and his team pursue Khan and kidnap him. Marcus takes steps to annihilate the Enterprise if its team doesn’t remove the criminal to him. Kirk needs Khan to be submitted for equity, so he can’t. After a contention among Kirk and Marcus, the last is murdered by Khan, who is then solidified in a cryogenic chamber alongside his group.

For me—particularly considering I am not a “Star Trek” fan—it is one more Hollywood blockbuster: sparkling, uproarious, yet not the slightest bit unique or interesting. I don’t know whether this film would be intriguing to watch if there was no “Star Trek” name referenced in its title. The on-screen characters’ exhibitions are standard—with the exception of Benedict Cumberbatch’s and Zachary Quinto’s exhibitions, different entertainers are not remarkable. Particularly irritating for me was skipper Kirk—a common attractive, unconvincing, and dull character due to his total inspiration. Different heroes looked simply as per Hollywood film buzzwords: attractive, youthful, and faultless.

What genuinely baffled me was various intelligent mix-ups; a mindful watcher may veiw these slip-ups as abominations. The board of the most elevated specialists of the Star Fleet isn’t ensured, so the adversary can assault and execute huge numbers of them. In the event that I was a super-criminal, I would feel obliged to utilize this opportunity for attack! For what reason is the Star Fleet chief naval officer’s little girl by and by sent to incapacitate unstable stuff? Why use spaceships on the off chance that you can transport to any planet? Why anticipate sentimental emotions from officer Spock if everyone realizes that Volcanians have no feelings? At long last, after all chief Kirk’s blemishes (for example, military activities against the Star Fleet naval commander and helping out Khan—oh no, a spoiler!) he despite everything remains the skipper of Enterprise?!

“Star Trek Into Darkness” is a normal Hollywood blockbuster, which abuses a well known establishment. However, in contrast to the first, it has nothing to offer to its crowd, with the exception of another segment of astounding special visualizations and the exhibition of Benedict Cumberbatch (which is the film’s most noteworthy legitimacy). Thinking about this, I would prescribe to watch the new “Star Trek” in organization, with a gigantic basin of popcorn, and just a single time—in the film.

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