1- Find a research article on: “Identify a problem you face regularly in your clinical setting. Next, identify how
this problem could be framed as a policy issue.”
Please find a peer review research article that talks about a problem that is present in a clinical setting (article
cannot be older than 5 years) and how this problem could be framed as a policy issue.
2- After the article is chosen, please complete an essay. The essay should be based on a discussion of that
article and how it can be framed as a policy issue
Not really Desperate Housewives
This disputable experimental run program intrigued in excess of 25 million watchers when Desperate Housewives was first broadcasted on the ABC Television Network in October 2004. The apparently tranquil, normal rural road is called Wisteria Lane and the 4 ladies – Lynette Scavo, Gabrielle Solis, Bree Van de Kamp, Susan Mayer – will before long be the neighbors and individuals from the poker club Mary-Alice Young It prompts self destruction. The explanations behind the demise of Mary Alice have not been known for a few seasons yet, however the show started to show a delicious plot brimming with rural generalization dramatizations; during the adoration triangle and the misfortune, more uncommon and enchanted occasions It started to occur.
Most importantly, I think it is significant that the title and motivation behind the show gestures to ABC’s sad housewife. In 2005, frantic housewife won six of the seven Emmy grants before Bravo broadcast the principal genuine housewife scene. In spite of the fact that the title of “Frantic Housewives” is clever, it is accepted that reusing possibly debased dialects will possibly give power just on the off chance that it is done uniquely by individuals who have been demolished. To make all watchers and every Hollywood player, Dick and Leo state “frantic” to ladies in this well known show, isn’t to be delivered from generalizations, yet to keep it. A genuine housewife answered to ABC’s content arrangement, and these ‘housewives’ appears to be not urgent (regardless of whether they are so). Moreover, the program for ladies beyond 35 years old is inconsistent with the way that everybody is attempting to smack their face.
The point of this segment is to investigate the configuration and capacity of female naming stories in the TV arrangement “Sex and the City”, “Frantic Housewives”, and “Tattle Girl”, zeroing in on a progression of edgy housewives. So as to completely see every single plan, it is imperative to completely examine who the storyteller is and what they speak to. The review in this white paper depends on the examination of the initial three arrangement of every TV show and spotlights predominantly on the voice towards portrayal.
It is important that every one of the three TV programs are of various sorts. “Sex and the City” and “Edgy Housewives” are worried about the individual existences of their four heroes, however their lengths are extraordinary: “Sex and the City” is named a satire around 25 minutes , Classified as surrender all expectations regarding around 45 minutes. Housewife, it is named a show arrangement (like the 45-minute youth dramatization arrangement Gossip Girl). I know who the storyteller is in ‘urgent housewife’ and ‘sex and city’, yet infrequently have seen them talking. This is depicted by Allrath et al. It is a view. Call it “imperceptible storyteller’s voice” (fifteenth year). The storyteller shows the encompassing crowd, presents the scene they are seeing, and doesn’t show their face to assist them with understanding the principle focal point of the scene.