Industrial revolution

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Write about each of the following topics:

1- industrial revolution 4.0 with a maximum of half a page and with one source and please get the source from the internet as website I don’t want a book source.

2-Node-red talk about what is node-red in general and how to use it or apply it in manufacturing also use one source and don’t use books as a source.

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Industrial Revolution

The industrial revolution marked a period of development in the latter half of the 18th century that transformed largely rural, agrarian societies in Europe and America into industrialized, urban ones. Goods that had once been painstakingly crafted by hand started to be produced in mass quantities by machines in factories, thanks to the introduction of new machines and techniques in textile, iron making and other industries. For example, starting in the mid-18th century, innovations like the flying shuttle, the spinning jenny, the water frame and the power loom made weaving cloth and spinning yarn and thread much easier. Producing cloth became faster and required less time and far less human labor. The positive and negatives of the industrial revolution are complex. Regardless of these questions, the industrial revolution had a transformative economic, social and cultural impact, and played an integral role in laying the foundations for modern society.

cters. As Canadian ‘media-guru’ Marshall McLuhan proclaims: American media imperialism hypnotises global audiences into homogenisation through the use of advanced technologies to conceal the technological medium, resulting in popular and entertaining films that promote the capitalist ideology. Congruent with the value of entertainment, cinema supports the ideological motives of Hollywood and Hollywood’s homogenisation of culture, as the visual attractions and creative narratives propagate Hollywood’s values around the world. According to Debord, the spectacle is simultaneously the result and project of the existing mode of production, the maintenance of the present model of socially dominant life. With the notion of the spectacle elevating sight, the cyclical affirmation of the dominant in Hollywood movies-as the world is filtered through mediated images-targets the masses through the unconscious and often unconsensual consumption of visuals.

For McLuhan, European filmmakers constitute his definition of ideal artists because, rather than interpreting the message on behalf of the audience, through their emphasis on the film as a medium, their work triggers a cognitive process within viewers, promoting critical thought through the combination of reality and imagination, thus empowering the autonomy of the viewer. In Amélie, Jeunet exploits the power of the image in our capitalist context to create opportunities for wonder, imagination and, as such, autonomy. In understanding the spectacle-as both the result and project of the existing mode of production- in the present model of socially dominant life, Jeunet exploits the value of the image through the surface of Amélie and the unreal visual aesthetic of the film.

Returning from Hollywood, having finished work on Alien: Resurrection, Jeunet made a commitment to himself: that he would contribute to the national heritage of French cinema;as

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