Jazz Origins

 

Scott Joplin’s Solace: A Mexican Serenade is a very beautiful piece. It’s hard to believe that the form of Solace is based on a march. However, piano rags such as those by Joplin were formally based on marches.
Solace has several sections. Listen specifically from 00:00 to 03:12, and address the following questions:

How many sections are within this three-plus-minute portion of the piece? Is there an introduction?
Do any sections repeat? How would you label them if you used letters to designate each section? Hint: the first section is from 00:09 to 00:47.
What is syncopation? Is there syncopation in this piece? How prevalent is syncopation in the melody?
Characteristically, rags have a steady “boom-chick, boom-chick” in the left hand, with the bass notes sounding on the beat and chords sounding on the “and” of each beat. Does the left hand play this sort of characteristic figure through Solace, or is it more elaborate than that?
Do any portions of the piece have a more distinctive 2/4 “feel” in the left hand than other portions? Provide counter numbers. Hint: The tempo of Solace is quite slow.

Sample Solution

 

 

Emily Dickinson, TS Eliot, Robert Frost

The three authors I picked were Emily Dickinson (1830-1886), TS Eliot (1888-1965), and Robert Frost (1874-1963). I picked on the grounds that they were brought into the world first in the eighteenth century. The greater part of their work includes demise and passing. Since Emily Dickinson was discovered to be hard to comprehend because of her work presumably as a result of the way that she wrote in such mystery code, Emily Dickinson would be a decent wellspring of my composing I don’t think so.

Robert Frost and Emily Dickinson are more successive writers, and Robert Frost and Emily Dickinson endeavor to pass on the significance of nature or the topic of death and dejection. They were brought into the world over 50 years separated, yet their sonnets are comparative from various perspectives. The two artists talk about the intensity of nature, demise and forlornness. In any case, Dickinson and Frost are not comparable in all refrains. Truth be told, their tone is totally different. Emily Dickinson and Robert Frost are discussing the intensity of nature in verse. Dickinson utilized this topic in her verse ‘nature’ – what we saw – Dickinson’s clarification of the substance of this section unequivocally speaks to the intensity of nature.

Sonnets of Emily Dickinson and Robert Frost Emilie Dickinson and Robert Frost’s verse contain comparable subjects and thoughts. The two writers endeavored to make nature sentimental and discussed demise and forlornness. They are over 50 years separated, yet they appear to take after idyllically. Both are centered around regular powers, passing, and dejection. The fundamental contrast between the two is that the use of tones is unique. The intensity of nature is a subject that shows up over and again in the verse of Emily Dickinson and Robert Frost.

 

 

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