Both Venus and Adonis are the biggest figures in the etching, permitting them to hang out in contrast with the remainder of the picture. Anyway Ghisi likewise utilizes scaling to show questions off out there as littler than in the remainder of the picture. Venus is delineated before Adonis with her body confronting endlessly from the watcher. We are always unable to see her face or her appearance, this likewise serves to halfway darken Adonis from the watcher. Because of her area Venus’ body position is underlined, pointing towards her love for Adonis. This is exhibited by her hand stroking his face and her look at him. Generally speaking Venus’ body is made of straightforward shapes, utilizing an assortment of straight lines and circles to frame the muscles on her back and the garments she is wearing.

Adonis is the second structure that hangs out in the etching. His body has considerably more detail related with it, including all the more garments, an outward appearance, and different adornments associated with his hands and feet. The lines that make up his body are viewed as cross-brought forth in a greater number of zones than are seen on Venus. The texture he is wearing as garments has complex overlays in it over his legs and arms. They are molded and definite utilizing a similar style as on Venus, with the edges being dull and the encompassing regions being a lot lighter. The impression of room and mass is given by the lance and chains Adonis is holding. The rope hanging over Adonis’ arm give a feeling of gravity, just as Adonis holding up the lance. The chains and lance are both littler than Venus and Adonis, giving a feeling of scale to the picture too. The lance facing up and to the privilege permits our eyes to tail it along the picture, moving our concentration to various zones.

The rope fill a comparable need as they attract our eyes descending to the mutts and pig’s head. The mutts likewise adding to the way that Adonis is going to set out on a chasing strategic. The lance is unbelievably nitty gritty, with slight cross-brought forth lines framing the surface. There is another tie contorted along the length of the lance drawing our eyes upward. The hog’s head is additionally nitty gritty with covering bended lines to give the impact of the hog’s hide. Adonis is additionally wearing an elaborate shoe with the mouth of a creature appearing to be folded over it. The hide of the creature likewise conveys the covering bended lines. Adonis’ structure is portrayed by darker concealing and a more noteworthy feeling of room and nearness.

Venus and Adonis are set in a thick backwoods. The trees are made out of many flimsy flat lines. The lines make up the bark of the tree and serve to recognize the trees also. Notwithstanding the flat lines there are many bended lines to detail bunches and burls in the wood. The leaves have a light measure of concealing as equal lines and show a huge level of redundancy. The leaves include a level of room and mass to the trees just as the picture all in all. The leaves are indicated slanting descending to give the feeling that there is some weight to them. They additionally serve to fill in a lot of void area that would have been available something else. They help strengthen the story being told by the etching also. The backwoods setting loans to the way that Venus is charmed by Adonis, given that couples will in general incline toward the protection a woodland gives. The woods is additionally a spot that somebody would commonly go chasing too.