Tarık Buğra is Turkish columnist and author of books, stories, plays and jokes. He is a notable essayist of Turkish writing in Republican period. Buğra is an adaptable essayist, particularly known for his books. In 1991 he turned into a State Artist. Tarık Buğra was conceived in Akşehir. He went to essential and auxiliary school in Aksehir. He was an understudy of Pertev Naili Boratav at the Istanbul High School, where he read for boarding chose to turn into an author in the tenth grade. He moved on from Konya High School in 1936 and joined up with Istanbul University Faculty of Medicine. After two years, she moved to the Faculty of Law and from that point to the Faculty of Literature. She quit without graduating.
In 1947, Akşehir, alongside his dad, Nazım Bey, distributed the paper Nasreddin Hoca and began news-casting. He wedded Jale Baysal in 1950, and he was conceived in 1951 with his girls, Ayşe, following a separation following eighteen years. Buğra lost his dad in 1952, sold the paper and came back to Istanbul. After 1951, he had articles in papers, for example, Milliyet, Vatan, Yenigün, Yeni Istanbul and in the week after week Yol. He filled in as proofreader in-head of a portion of these papers and magazines. He left the feature writer in Interpreter Newspaper in 1976 and gave all his opportunity to writing. He was an individual from the Literary Committee of the State Theaters. Tarık Buğra composed his first plays and the novel “The Lonesome People” during his military help. The epic which he finished in 1940 and a section in Çınaraltı in 1948 were distributed. His name, notwithstanding, was heard in three hours on a case by the narrative of his “Child”, which was distributed in 1948 in Cumhuriyet Newspaper. His first storybook, distributed in 1949, was Our Son, and in 1952, Tomorrow was not all that much, Between Two Sleeps, and in 1964, he composed Stories. In his accounts, where he discussed the home and family situations of white collar class individuals, he considered topics, for example, love, dejection and non-similarity in a concentrated, beautiful language. He concentrated more on the inner reality than on the plot. In 1955, “Dark golden” was passed to the novel. In Küçük Ağa (1963), which he had taken a gander at from a town and not from the middle, he carried an alternate translation to the ongoing history past his official comprehension of history. It was distributed in 1967 by Küçük Ağa in Ankara. On September 8, 1977, he was hitched to the story essayist Hatice Bilen.In hello
