Sexuality & Class

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Writing an initial post responding to the prompts below and mention your partner (no need to answer them all, just show us you thought about them)
Doing a “peer review,” or response to, the two other students’ posts that have been given to you
Prompts
1. One of the main aspects of anthropological writing is reflexivity. Using information from lecture and the textbook, define reflexivity in your own words, and talk about how your presence and identity (e.g. your gender, age, etc.) affected what the people around you did during your participant observation. How has your identity potentially shaped your interpretation of what you observed?
2. What do you think are the strengths and limitations of participant observation as a research method? What kinds of data does it allow you to collect?
3. Come up with two issues or debates that show how institutions (e.g., governments, religious bodies, media) attempt to regulate aspects of sexuality. Share with a partner.
4. Let’s dig into intersectionality. Think about your own class, race, ethnicity, gender, sexuality, and religion. In what aspects of your identity do you find more privilege, and others where you find more obstacles? For example, “As an upper class cisgender white man, I have a lot of privilege, but I do find obstacles living in the U.S. as a practicing Muslim.” Start thinking about this with your partner. We will continue this discussion in later weeks as we introduce further topics.
5. What are some of the possible physical (e.g., bodily health), mental (e.g., wellbeing), and structural (e.g., food deserts, gentrification, mortgage discrimination) effects of economic inequality? Draw examples from your own contexts first, or from Guest’s chapter if need be.
6. According to K. Guest’s chapter 11, what are some effects of global inequality?
7. How does socioeconomic class feel present in your lives–either in positive or negative ways? How often is class brought up in discussions with your family, peers, etc.? Share with your partner later.

Before the finish of 1976, AC/DC’s third collection “Grimy Deeds Done Dirt Cheap” showed up in record stores in both Australia and the U.K. They had no issue getting gigs in the U.K as their music wasn’t as unruly as punk and so on. ‘May There Be Rock’ would likewise get well known in 1977 and a consequent help opening with Black Sabbath would in the long run follow. Malcolm Young anyway would experience struggle with the bassist from Sabbath which would then bring about AC/DC being expelled from the visit. This combo of AC/DC and the Easybeats would help make the armies of fans in Australia and in the end the U.S with ‘Roadway to Hell’ turning out to be platinum in 1979. This would all be fleeting incidentally as in February 1980, Bon Scott would die following a night out drinking vigorously. After two months, he would be supplanted by ex-Geordie artist Brian Johnson. These occasions would prompt the creation and arrival of ‘Back In Black’ in 1980, it would then proceed to sell 22 million duplicates and become one of the best selling collections ever.

There are a couple of things that can be seen about the accomplishment of AC/DC. This band knows the group they are playing as well and they without a doubt realize that fans from the 70’s are carrying their children to appears also which can make a family association with the fans and the band. Keeping up a predictable sound around groups that changed to fit the pattern is intense and ‘gutsy’ as each collection had the danger of being exhausting and dull. The ongoing expansion of their discography online implies that they currently have different spilling administrations accessible for fans as well as newcomers the same. Beforehand, the music was just accessible through the acquisition of physical duplicates, for example, CD and Vinyl which ordinarily isn’t perfect right now advanced music. With chances to purchase CD’s and so on at shows, fans likewise can buy different product relating the groups brand, for example, flags, light up fallen angel horns and inflatable toy guitars and this helps make for a remarkable live show.

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With respect to this, AC/DC have buckled down over their profession of 40 or more years and that can likewise be credited to their prosperity. They reliably convey a stunning live show which makes the tickets which are esteemed from $80-$150 extremely worth the cash. There is certainly a feeling of feeling content realizing that you will get your monies worth when you see a live band, for example, this one.

Air conditioning/DC KNOW their own market.

It very well may be said that AC/DC have discharged they same collection multiple times which somehow or another is valid yet conversely, any reasonable person would agree; ‘Why surrender a recipe that has worked on many occasions and still does?’. In spite of the fact that their sound specifically hasn’t changed, there were a lot of clear patterns that stick out. MTV was propelled during the 1980s and as the universe of pop started to rise, AC/DC’s music was beginning to get stale and dry as per a few fans and music sweethearts the same.

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All together for the marking to work adequately, they have to some degree influence the band. A model is showcase exchange gear close by the utilization of substantial hardware; normally utilized by individuals who work how this affected his organizations and his profession.

Aram Khachaturian was conceived on June 6, 1903 into a working class family in the city of Tiflis, presently Tbilisi, current Republic of Georgia. Tiflis was at the time a multicultural focus in the Caucasus, uniting Armenian, Georgian, and Azerbaijani individuals. It was this social condition that turned into the melodic premise of every one of his works, inarguably adding to his unconventional compositional style. In an article titled “My Idea of the Folk Element in Music” (1952), Khachaturian composed:

I experienced childhood in an air wealthy in society music: mainstream merriments, customs, happy and dismal occasions in the life of the individuals constantly joined by music, the clear tunes of Armen ian, Georgian and Azerbaijani melodies and moves performed by people minstrels [ashugs] and artists – such were the impressions that turned out to be profoundly engraved on my memory, that my melodic reasoning. They molded my melodic awareness and establish at the frameworks of my imaginative character.

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