Short story – StreetCa

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Recall Stanley’s mood in scene 2 and his conflict/argument/fight with Blanche? Whom would you say won?
Read the stage directions for scene 3 on page 41. Notice the description of the light and the colors the men are wearing, along what is said about the men. Notice what is on the tabletop. What is all this meant to communicate about this scene and the players?
What is Stanley’s mood at the beginning of Scene 3? How can you tell? Why is he in this mood?
In what way does Blanche think Mitch is “superior to the others”?
Light, which figures in the stage directions on page X and after figures again in scene three. Where and when does it figure in scene 3?
What is the significance of the paper lantern? Why does Williams have Blanche introduce it when he does?
When does Blanche lie to Mitch?
Might the first encounter between Mitch and Blanche foreshadow the development of their relationship? If so, in what ways?

Sample Solution

Short story – StreetCa

Scene 3 of the short story – StreetCa is set against a pretty wild poker game. Stanley is especially out of patience because he has been losing heavily. And we see Mitch immediately as a contrast to the others, especially with his concern for his sick mother. Blanche is immediately aware of Mitch`s difference. Her own sensitivity allows her to recognize it in others. This is a quality that Stanley does not possess. Blanche intentionally moves into the light when she is undressing so as to be noticed. This is a manifestation of Blanche`s desire to be the center of attention, and her use of her body to attract attention prepares us for some of her later lurid escapades. Again the light motif is here developed. Blanche asks Mitch to cover the naked light bulb. Ironically, it will be he who will later tear off the paper lantern in order to “get a better look” at Blanche.

At eighteen years of age, Khachaturian moved to Moscow and enlisted at the Gnessin Musical Institute in 1922. His piece educators included Mikhail Gnessin, Reinhold Gli�re, and later at the Moscow Conservatory, the eminent Nikolay Myaskovsky and Sergey Vasilenko. It was after his graduation from the Moscow Conservatory in 1936 that Khachaturian’s melodic yield incredibly expanded. His most remarkable works, including his First Symphony, his piano, violin, and cello concertos, the artful dance Gayane, and the Masquerade Suite were completely composed during this multi year organize from 1936-1948. Truth be told, his set of three of concertos in the blink of an eye became significant staples of Soviet old style music.

In 1939, Khachaturian made a multi month excursion to the Soviet Republic of Armenia. This visit end up being of most extreme significance, as he was welcomed with the chance of seeing his local country, its kin, melodic customs and way of life. “Khachaturyan’s long remain in Armenia presented to him an abundance of distinctive impressions. His fellowship with Armenia’s national culture and melodic practice demonstrated for him, as he put it himself, ‘a subsequent conservatoire’: The melodic impressions which had so impacted the psyche of Khachaturyan the kid and the young introduced themselves in another light to Khachaturyan the develop craftsman”. It was on this outing he gave his spirit to the expressive dance, Happiness, which debuted in Yerevan at the Spendiarov Opera and Ballet theater in September of 1939. “Work on Happiness and investment in the celebration of Armenian workmanship had brought Khachaturyan still nearer to Armenia’s otherworldly life and culture.” The expressive dance was later adjusted to Gayane in the spring of 1941, when Khachaturyan left to the city of Perm close by the migrated Leningrad Kirov Opera and Ballet Theater. Gayane was a moment sensation, and it utilized conventional Armenian and Caucasian society songs and moves, for example, the Georgian move Lezginka. One of the numbers, the Saber Dance, is still performed globally as an independent instrumental work and regularly used in films.

 

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