Similarities exist between Gilman’s “The Yellow Wall-paper” and Wharton’s “The Lady Maid’s Bell”

 

a. confusion of actuality and fantasy by the main character

b. unreliable or misguided, and hence misleading, narrators

c. emphasis on the psychological states of the characters

d. what are thought to be ghosts, spirits, specters, phantoms

e. a woman in distress

f. detached, dispassionate keepers who dominate, or attempt to dominate, the heroine

g. impressionistic descriptions and images.
“The Yellow Wallpaper” has all of the above, but it escapes the imitations of conventional gothic fiction. Why? Is it because the story lacks the dense atmosphere of secret evil? Is it because the story concentrates more heavily on the mental aberrations of the heroine? Is it because of the humanitarian sympathies the story evokes?

 

Part B

What similarities exist between Gilman’s “The Yellow Wall-paper” and Wharton’s “The Lady Maid’s Bell”? What do these stories say about women and their mental health?

 

 

Sample Solution

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is often classified as a gothic story, but it also deviates from the conventions of the genre in several ways. One reason for this is that the story lacks the dense atmosphere of secret evil that is characteristic of many gothic tales. Instead, the story focuses on the psychological deterioration of the narrator, who is confined to a room with yellow wallpaper.

Another reason why “The Yellow Wallpaper” escapes the imitations of conventional gothic fiction is because it concentrates more heavily on the mental aberrations of the heroine. The narrator’s descent into madness is described in vivid and disturbing detail, and the reader is left to wonder if the yellow wallpaper is actually haunted or if it is simply a product of the narrator’s imagination.

Finally, “The Yellow Wallpaper” evokes a sense of humanitarian sympathy for the narrator. The reader is led to feel compassion for her as she struggles to maintain her sanity in the face of her oppressive confinement. This sense of empathy is often lacking in conventional gothic fiction, where the focus is typically on the villain or the supernatural elements of the story.

Part B: What similarities exist between Gilman’s “The Yellow Wall-paper” and Wharton’s “The Lady Maid’s Bell”? What do these stories say about women and their mental health?

Both “The Yellow Wallpaper” and Edith Wharton’s “The Lady Maid’s Bell” explore the themes of female confinement and mental illness. In both stories, the female protagonists are trapped in oppressive situations that lead to their mental deterioration.

In “The Yellow Wallpaper,” the narrator is confined to a room with yellow wallpaper by her husband, who is a physician. The narrator’s husband believes that the room is a healthy and relaxing environment for her, but the narrator finds the room to be suffocating and the wallpaper to be disturbing. As the narrator spends more time in the room, she begins to lose her sanity and becomes obsessed with the wallpaper.

In “The Lady Maid’s Bell,” the protagonist, Charlotte Brontë, is confined to a small room in a boarding house by her aunt and uncle. Charlotte’s aunt and uncle believe that Charlotte needs to be protected from the outside world, but Charlotte finds the confinement to be suffocating. As Charlotte spends more time in the room, she begins to hallucinate and hear voices.

Both “The Yellow Wallpaper” and “The Lady Maid’s Bell” suggest that female confinement can lead to mental illness. The protagonists in both stories are trapped in oppressive situations that make it difficult for them to maintain their sanity.

In addition to the theme of female confinement, both stories also explore the theme of mental illness. The protagonists in both stories experience hallucinations and other symptoms of mental illness. The stories suggest that mental illness can be triggered by a variety of factors, including stress, trauma, and isolation.

Both “The Yellow Wallpaper” and “The Lady Maid’s Bell” are important stories that explore the complex relationship between gender, mental illness, and confinement. The stories provide a glimpse into the experiences of women who were often trapped in oppressive situations and who suffered from mental illness as a result.

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Here is a more detailed analysis of the similarities between Gilman’s “The Yellow Wallpaper” and Wharton’s “The Lady Maid’s Bell”:

  • Female Confinement: Both stories feature female protagonists who are confined in oppressive situations. In “The Yellow Wallpaper,” the narrator is confined to a room with yellow wallpaper by her husband, who is a physician. In “The Lady Maid’s Bell,” Charlotte Brontë is confined to a small room in a boarding house by her aunt and uncle.
  • Mental Illness: Both protagonists experience hallucinations and other symptoms of mental illness as a result of their confinement. In “The Yellow Wallpaper,” the narrator becomes obsessed with the yellow wallpaper and begins to believe that it is alive and trying to communicate with her. In “The Lady Maid’s Bell,” Charlotte begins to see and hear visions of her dead sisters.
  • Gender: Both stories explore the relationship between gender, mental illness, and confinement. The stories suggest that women were often trapped in oppressive situations in the 19th century, and that this could lead to mental illness.

What do these stories say about women and their mental health?

Both “The Yellow Wallpaper” and “The Lady Maid’s Bell” suggest that women were often trapped in oppressive situations in the 19th century, and that this could lead to mental illness. The stories also suggest that mental illness was often misunderstood and stigmatized at the time.

 

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