Spiritual Goals and Goal Evaluation

 

In this paper, you will assess your current spiritual condition; create a 5-year plan with a goal and measurable objectives with interventions. You will create an evaluation plan to measure your progress and a dissemination plan to explain the results.

Introduction
Biographical Background Information yourself.
Explain spirituality in the context of the culture you were raised in – thinking specifically in terms of your family and your community. [course link: Evaluation in cultural context, pages 37-40]
Describe your current spiritual condition – in your own words
Spiritual Goals and Objectives for the next five years.
What is your primary spiritual Goal?
What objectives do you need to meet this Goal? Make sure you give me SMART objectives.
What activities or interventions will you use to achieve your objectives?
You may choose to intertwine your career and educational objectives, if you wish.
Evaluation Plan- Translating Program Theory & Objectives into Evaluation Questions
Specify which program theory you are using. (Chapter 3 in the course textbook)
What is your impact question?
How will you evaluate your progress quantitatively?
How will you evaluate your progress qualitatively?
How will you collect data to measure your progress?
How will you analyze the data? What methods?
Dissemination Plan
What will your dissemination plan be for the evaluation results?

 

Sample Solution

 

 

A Photograph of Cartier-Bresson

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Photography has without a doubt gotten one of the most amazing and significant visual crafts of the twentieth century, and influenced different parts of craftsmanship fundamentally. This is, maybe, one of those expressions that are close to nothing or not influenced by mechanical advancement, and it is just the ability and expertise of a craftsman that issues. There lived numerous bosses of photography, yet there was one whose works portrayed the whole twentieth century with its logical inconsistencies and shows as completely as no one else figured out how to. The name of this craftsman was <b>Henri Cartier-Bresson, the author of the well known Magnum organization, and one of the most remarkable picture takers everything being equal.

elucidating article sampleAmong Henri Cartier-Bresson’s works, I particularly appreciate the one titled “Political Meeting” made in Paris in 1953. It is a high contrast picture that delineates an enormous horde of individuals, situated in a storage or assembling office, and an individual who is going to hold a discourse before them (or as of now is). The structure of the photograph is worked so that the speaker’s desolate outline is by all accounts differentiated by the boundless horde of individuals who assembled at the gathering. This impression is implemented by the lines of the structure’s roof, which control the watcher’s sight into the profundity of the image, to a minor spot of the office’s exit. The entire picture is supported in shades of dim of different forces; the darkest and the most splendid spots are the speaker’s figure and the office’s windows individually.

The photo has a compelling passionate charge that is effectively seen from the principal snapshots of taking a gander at it. The individuals appear to be trusting that the speaker will offer them an answer for a troublesome issue. Maybe it is a worker’s organization rally, or a strike. The speaker, in his turn, is by all accounts to some degree confounded, and even overpowered by the group. It appears that H. Cartier-Bresson has delineated a snapshot of ungainly quietness, when the desires for a great many individuals are routed to a solitary individual, who is befuddled and doesn’t have a clue what to state. This is an emotional vision, however, and the circumstance may have created in an alternate manner.

When all is said in done, the photo is a portrayal of the air that was set up in Europe after the Second World War. It was the hour of huge changes and social disturbances, work and freedom, expectations and troubles, and H. Cartier-Bresson has caught it all in only one photograph.

Pundits internationally esteem H. Cartier-Bresson’s photos as an exclusive expectation. He constantly figured out how to catch the pith of occasions or people he pointed his camera at. His photographs are pictures shot with polished methodology, however are increasingly similar to short stories, each with its own passionate charge and setting. Cartier-Bresson had once said it was life itself, not photography, that intrigued him the most. What’s more, this is the thing that can be effectively observed when taking a gander at any of his works.

workmanship article, paper about well known individual, exposition about existence