Stigma and disease

Some vulnerable populations may have diseases, health impairments, and pregnancy that bring humiliation and predisposed judgment. Unfortunately, these health conditions can cause vulnerable populations to become ostracized by the general public.

What ways would you choose to function as an advocate for vulnerable populations?
Discuss the types of assistance you might provide to each of the following clients from a vulnerable population:
A 24-year-old pregnant woman who is currently homeless and unmarried
A 16-year-old girl who has run away from her foster home and who has an IV drug habit
An immigrant worker whose TB skin test just came back positive
An employed, married man who contracted Hepatitis B through a blood transfusion 30 years ago

Sample Solution

Several health professionals perceive advocacy as the most significant role they play in patient care. Specifically, there is need to remember that to make adequate preparations to best serve patients. This role requires inclusion of all health stakeholders with whom patients interact, as well as the organizations providing those services and the policies and legislation that influence them.
Current study focuses on the role of nurses in advocating for patients on a continuous manner (Datiko, Jerene & Suarez, 2020). Six ways strategies that nurses can employ in their advocacy for patients include, safeguarding of safety of patients, education, giving patients a voice, and protection of patients’ rights. In addition, advocacy should focus on improving patient access to resources, and counter-checking for errors.

The officials, including Chairman of the Board Wally Womper, are trusting that Finch will turn in his abdication. Finch reveals to Rosemary that he will most likely come back to washing windows, however Rosemary guarantees him that she will at present love him regardless (“I Believe in You (Reprise)”). Bud shows up to take Finch to the workplace. Similarly as Finch is going to sign his letter of renunciation, uncovers to the administrators that he was in reality a window washer before going to the organization. Womper is attracted to Finch as he, as well, was a window washer. Finch skilfully accuses the fortune chase for Frump, likewise referencing to Womper that Frump is Biggley’s nephew. Womper is going to fire all the administrators when Finch steps in for everybody’s benefit, disclosing to Finch him that despite the fact that the business world is a spot loaded up with disloyalty and seriousness, the World Wide Wicket staff resembles a family to him (“Brotherhood of Man”). All the administrators are saved, Bud Frump, be that as it may, is terminated.

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26.

Biggley remains leader of the organization, Womper resigns to venture to the far corners of the planet with his new spouse, Hedy, and Finch turns into the new Chairman of the Board. Rosemary remains close by and motivates him to become President of the United States. Slob finds a new line of work as a window washer, swearing vengeance against Finch and perusing How to Succeed in Business Without Really Trying (“Finale”).

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A great part of the logical research of Shostakovich’s works during the period of the Second World War has concentrated essentially on his ensembles made right now. The examination done pinpoints numerous particular sections inside his ensembles that show how he fought the Russian State and explicitly Joseph Stalin. I will concentrate my examination on the strategies for dissent, patriotism and energy that are found in Shostakovich’s Symphony No.5 and Symphony No.7. What are probably the most widely recognized techniques for encryption that Shostakovich used to show his scorn for the Stalin Regime? What attributes do these pieces share? How could he bring out the sentiments of energy and patriotism in these two works while as yet communicating the anguish and constraint of the Russian individuals? How did outer variables impact the translation of these works?

It is essential to comprehend the cutoff points put on melodic creation during the hour of the Stalin Regime so as to examine the techniques utilized by Shostakovich to communicate his independence yet adjust to satisfactory Party measures.

27.

Stalin didn’t bolster whatever looked like Western culture since he trusted it didn’t concur with the socialist way of thinking. At a certain point in Soviet Russia, there existed a gathering considered the Association of Contemporary Musicians that was expert West and ground breaking. This gathering in the long run become undesirable with the Party and was at last supplanted with another gathering in 1932 called the Union of Soviet Composers. As the author associations advanced in the Stalin Era, they impacted what was viewed as worthy music by the Party. The Union of Soviet Composers was a piece of the Ministry of Culture and the year 1932 was the start of the Party’s immediate effect on organization. The music was to advance the Party plan and arrangers were relied upon to present their attempts to the Union of Soviet Composers for endorsement on the off chance that they needed the help of the Communist Party. The social development at the time was toward patriotism. Social authenticity was applied to the music of this period. Music was to communicate the work and achievement of the laborer through conventional Russian and Soviet melodies. Straightforwardness was to be a component in the compositional style. Stalin and the Party were to be celebrated through proper nationalistic subjects. These realities are terrifically significant while considering the components found in Shostakovich’s Symphony No. 5 and No.7.

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