Part 1
Create a team agreement that outlines the team operating rules for the construction project you are managing.
What is the impact on a project schedule when you level your resources? Why is resource leveling necessary and what is the impact on your resources when you do not level? Review the Agile manifesto and describe how Agile views resource leveling?
Part 2:
Describe the purpose of a status report to the project sponsor? What key information do you feel is important for the status report to include and why? What is the optimum reporting cadence and why? What factors do Project Managers need to think about when creating a status report template? Do you feel that status reports are only needed when managing waterfall projects, and why? How can project status be shared in an Agile or Hybrid project?
Part 3: You are a project manager for a construction project budgeted at $750,000. As of today, the project should be 45% completed but after reviewing the status of the scheduled tasks involved in the project it is evident that only 25% of the work has been completed. The team has spent $200,000 thus far. Answer the two questions below: 1. Describe the formula for each equation and provide the answer
Determine Earned Value (EV)
Determine Planned Value (PV)
Determine Cost Performance Index (CPI)
Determine Schedule Performance Index (SPI)
Cost Variance (CV)
Schedule Variance (SV)
2. What does this data tell you?
A team contract is an agreement between you and your teammates about how you and your teammates will work together – a set of rules that you intend to follow. The following questions will assist you in determining what should be included in your team contract. You should also consider the positive and negative aspects of previous team project experiences. Here are some questions to think about. Your contract does not have to answer all of the questions below, but at least the bolded ones must be answered. Concentrate on the issues that are most essential to your team. At the end of the contract, all team members should sign their names to show that they agree with it.
most impressive showcasing instruments. Infectious jingles are a splendid method for guaranteeing the buyer connects the item or brand with said jingle, for example sound imprint. In any case, because of the utilization of the words ‘fit for being graphically addressed’, sound imprints are frequently difficult to get enlisted. Because of the incorporation of computerized structure in graphical portrayal, enrollment of sound imprints is presently generally simpler. Prior, when graphical portrayal was restricted to pen and paper design just, it was believed that a clear arrangement is store a computerized recording of the sound with the enlistment center. Yet, this suggestion was dismissed by the International Trademark Association (INTA) as being unreasonable, for initially, sound can’t be distributed by the Trademark Registry and individuals would need to go to the vault to hear it, and furthermore, it would be challenging for the library to store such countless sound examples. Be that as it may, these issues appeared to have been handled by not just the new Trade Mark Rules of 2017, yet additionally by broad mechanical headways. With admittance to the web and limitless distributed storage, the INTA’s anxieties stand repetitive. The very first sound imprint to get enrolled was way back in 1950 when the United States Patent and Trademark Office (USPTO) perceived NBC’s scandalous three tolls as an exchange mark fit for being enlisted. Throughout the long term, a ton of sound imprints have been enlisted from one side of the planet to the other, for example, Metro Goldwyn-Mayer’s notable lion thunder, twentieth Century Fox’s ring, Tarzan’s holler, Intel’s jingle, default ring-tone of a Nokia cell phone and some more. In India the very first sound imprint was allowed to Yahoo! Inc. in 2008 for a man’s voice warbling hurray. ICICI Bank was the primary Indian element to acquire sound track enrollment with the Indian Trade Mark Registry.
Variety Mark
Variety marks are those marks where a particular tone or blend of varieties is related with an item or brand and takes more time to the first source. Albeit graphical portrayal may not be an obstacle for variety marks, they are not effectively allowed. Area 10 of Trade Marks Act, 1999 discussions about enlistment of a variety mix yet just when such variety blend is available in a generally customary logo or imprint with the goal that the variety is optional and the plan of the imprint is the essential thing to get enrolled as an exchange mark. Basically the Act can safeguard a specific imprint in a specific tone combi