The 20 Rules for Good Design, “Symmetry is the ultimate evil,”

 

Thinking of the quote from The 20 Rules for Good Design, “Symmetry is the ultimate evil,” How is symmetry different from balance? What does it mean?

 

Sample Solution

Symmetry and balance are related. But they’re not quite the same thing. Symmetry is the visual quality of repeating parts of an image across an axis, along a path or around a center. Balance measures the visual weight of your composition, which impacts how much each element attracts your audience’s attention. According to Samara’s 20th rule of his 20 rules of design, symmetry is the ultimate evil. It is true symmetry occurs in nature, just look at our bodies, but that does not mean it is a good strategy for designing. Symmetry visual arrangements may look static and offer little flexibility.

also called for the return of “Richard Moreman” who notably opposed Henry VIII’s divorce to Catherine. These demands suggest then that the Cornish rebels were more threatening than initially gleaned, perhaps using religious grievances to implement radical political reform. Such a cause proved somewhat popular considering 6,000 men from Devon joined after hearing the proclamation. Despite this, Somerset demonstrated his incompetence by not quashing the rebellion early. Instead his government, without much direction from the distracted Duke, reacted in fear by offering to pardon all the rebels if they dispersed. Therefore, Bush’s view is convincing as Somerset enabled the rebellion to grow and was only compelled to intervene once the rebellion was obviously threatening; also supporting Manning’s (1979) assertion that “Somerset’s inept handling of the [1549 rebellions] brought about his downfall.” Indeed, the growth of the Cornish Rebellion in part inspired Kett’s Rebellion which occurred in the same year of 1549, proving that the state could not tolerate Somerset as leader if other rebellions had the confidence to develop. Kett’s Rebellion differed from the Cornish as it focused primarily on economic hardship, specifically the expansion of the enclosures. The enclosures meant that the gentry and local clergy men could expand small landholdings into larger farms and so took much away from the livelihood of the peasantry. Robert Kett himself was part of the gentry but felt so sympathetic to the peasantry that he had joined and even led the movement, making him a particular threat to the state. Kett’s rebellion resonated with far more than that seen in the Prayer Book rebellion in the same year; spreading the rebellion from Cornwall to East Anglia and gaining control of Norwich, the second largest city at the time. Somerset once again proved incompetent, sending a perfunctory commission to evaluate if the land was being taken at a disproportionate rate. Thus, Manning’s view is convincing as Somerset was clearly unable to differentiate between how serious Kett’s Rebellion was compared to the Cornish. Most significantly, Manning’s view is convincing because Somerset’s ineptitude created the opportunity for Dudley to exhibit his own competence by crushing Kett’s rebellion. Dudley then used this as his basis to overthrow Somerset as prince regent. Therefore, Somerset’s regency can indeed be labelled a ‘crisis’ for the Duke enabled England to grow int

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