The arts and culture editor at The Columbus Dispatch

The arts and culture editor at The Columbus Dispatch has invited you, as an OSU student, to write an op-ed article for their website about the recent exhibition Object/Set: Gauri Gill’s Acts of Appearance that has just closed at the Columbus Museum of Art (CMA). The editor at the Dispatch has asked you to focus on the significance of the artist for the documenta 14 exhibition and its main themes and how these themes translate to the context of the CMA as part of the art scene in Columbus, Ohio, specifically in terms of your perspective as a student. They also ask that you illustrate your article with a selection of photographs from the exhibition.
Use of Writing Tools (25%) – your wall-text must show your use of writing tools learned in class (from the Williams reading) across the 3 components.
Drafts 1 and 2: Final Tips First (No Fear, No Internet; Read Aloud, Make Drafts, Know and Define your Audience; Persuasion), Getting Started (Remember the First Time; Three Questions: What is it? What might it mean? Why does it matter to the world at large?); Rules of Grammar (& when to break them); Substantiation (Use Factual and Historical Evidence; Beware of Unsubstantiated Waffle; Extract Visual Evidence, Pay Attention, Follow Your Thinking, Avoid Faulty Cause and Effect) = 20%
Draft 3: Practical ‘How-to’s, part 1 (Be Specific, Flesh Out Descriptions, Keep Artwork in front of you, Avoid abstract ideas – especially when explaining abstract ideas!), Keep abstract word count low, Use Solid Nouns). = 5%

Sample Solution

Why “Breaking Bad” is One of the Best Shows Ever

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At the point when you get some information about their side interests, a considerable lot of them state something like, “I appreciate understanding books and tuning in to music,” or “I like to watch films.” Watching motion pictures—or, rather, TV appears—has in reality become an amazingly well known movement, particularly in nations where there is access to Netflix or other comparable administrations. This prevalence is anything but difficult to clarify: TV shows frequently offer items significantly more different, captivating, and non-standard than ordinary movies. Shows, for example, “Genuine Detective,” “Round of Thrones,” “House M.D.” and numerous others have demonstrated that such an arrangement is unquestionably not substandard compared to motion pictures; despite what might be expected, it very well may be better than them now and again. What’s more, maybe, the best case of the show that beats numerous movies in all regards is “Breaking Bad.” Many pundits guarantee it to be the best TV show ever; without offering such extreme expressions, let us investigate the elements making this media item such a greatly well known wonders.

“Breaking Bad” can flaunt a consummately made environment of wantonness, guiltiness, and that ubiquitous obscure piece of the regular a large portion of us never notice or imagine doesn’t exist. The dim universe of street pharmacists, cartel wars, habit, and illicit trade is unquestionably not engaging, or sentimental, or alluring, yet in “Breaking Bad” it is practical and persuading, and causes you to trust you are looking through a keyhole at a risky and barbarous world.

The thick air is marvelously supplemented by camera work. When viewing the principal scenes of season one, I was flabbergasted by the sythesis of scenes, the decision of shooting focuses and foreshortening, hues, frontal area and foundation work, and the various components in the edge.

The storyline is another tremendous preferred position of “Breaking Bad.” An account of an ordinary science educator, whose deliberate and not really cheerful life was in a single day demolished by the news that he has serious malignant growth to some degree helps me to remember the film “Thumping on Heaven’s Door,” however in an a lot darker execution. Being a scientist, Walter White accepts (or this is the manner by which I got it) that an individual is only a structure of particles, with all the particular outcomes: no paradise, no heck, no the great beyond reprisal, no genuine estimation of human life. Nothing to lose as well; the title of the show alludes to what is happening in Walter’s mind after he finds out about his determination and the understanding that his life is going to end soon, and that he has consistently lived in a manner he would not like to. What leaves it is told in five seasons, and this story is emotional and locks in.

One more segment of “Breaking Bad” is its characters. Maybe you are as of now tired of uneven, unoriginal vanilla legends, or unhinged, malicious driving forces that Hollywood embeds in pretty much every motion picture it produces. Such characters have no profundity, no inward clash, no validity; they, just as their activities, fundamentally fill in as triggers to push the plot ahead, and permits motion picture executives to exhibit new tricks and impacts. “Breaking Bad” is extraordinary; each character is a character, with their own intentions, issues, contemplations pestering them, life circumstances requesting their reaction, etc. Every one of these characters, regardless of whether the individual is optional and shows up just for two or three scenes, is completely uncovered, so the show causes you to accept the person in question is genuine. Also, each character is mind boggling, implying that great and wickedness goals, wants, intentions, and musings continually entwine and cooperate inside them, characterizing their practices—like we all.

What’s more, obviously, viciousness and all out narrow mindedness, so to state. There is most likely no other show that would delineate our regular reality with such brutality, and with scarcely any “alleviating” channels. This is a much needed refresher for some, watchers, tired of interminable lustrous motion pictures, splendidly proper as far as political accuracy, and mindful in their portrayals of viciousness. “Breaking Bad” is straightforward, grim, and merciless—like genuine criminal life.

Things being what they are, what makes “Breaking Bad” perhaps the best demonstration of the 21st century? As I would see it, there are a few fundamental segments of its prosperity: a thick environment of criminal wantonness joined with fine camera work; a complex and sensational storyline including various very well-looked into and trustworthy characters; and, obviously, uncensored savagery—physical, enthusiastic, and mental—that this show is doused with.