“Cathedral” essay

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You are to write a five (5) paragraph essay ( 8,9 sentences in paragraph.
you had to give your own topic according the story
You’ll have to create your own introduction and thesis by answering the writing prompt question below:
After reading Raymond Carver’s “Cathedral” is the narrator transformed/changed at the end of the story? If yes, how? If no, then what happens to
him. Analyze what happened to him. Use supporting quotes.
Create a thesis that describes the narrator’s transformation/change or lack of after his encounter with the blind man.
I have provided you with the topic sentences for body paragraphs 1, 2, and 3 and your conclusion. Use them.
For body paragraph one, focus on the Narrator’s neurotic character.
For body paragraph two, focus on the Narrator’s irrational beliefs of the world.
For body paragraph three, focus on the blind man’s characterization and role within the story.
For your conclusion, focus on the epiphany as the blind man and the Narrator draw the cathedral.

“Cathedral” essay

You are to write a five (5) paragraph essay ( 8,9 sentences in paragraph.
you had to give your own topic according the story
You’ll have to create your own introduction and thesis by answering the writing prompt question below:
After reading Raymond Carver’s “Cathedral” is the narrator transformed/changed at the end of the story? If yes, how? If no, then what happens to
him. Analyze what happened to him. Use supporting quotes.
Create a thesis that describes the narrator’s transformation/change or lack of after his encounter with the blind man.
I have provided you with the topic sentences for body paragraphs 1, 2, and 3 and your conclusion. Use them.
For body paragraph one, focus on the Narrator’s neurotic character.
For body paragraph two, focus on the Narrator’s irrational beliefs of the world.
For body paragraph three, focus on the blind man’s characterization and role within the story.
For your conclusion, focus on the epiphany as the blind man and the Narrator draw the cathedral.

2.0 GENERAL STRUCTURE

The general structure of this proposal is isolated into three fragments. The principal portion is an investigation of three unique fashioners who all offer a similar center thought of configuration being associated with feelings.

While Denman Waldo Ross characterized general principles about the connection between a plan and agreement, parity and musicality, Don Norman adopted the strategy from a progressively logical side. He clarified the impact configuration has on feelings through psychological science. Stefan Sagmeister and Jessica Walsh imparted their insights and research learns about the field of plan and excellence in which they expressed the significance of magnificence as far as usefulness. The enormous counter-development to enthusiastic plan was the Bauhaus, which is quickly clarified and reflected in this proposal also. The center thought behind the Bauhaus was the association from creators to the craftsmanship and to make structure just dependent on usefulness. The subsequent fragment is a more profound comprehension of why configuration would impact or summon explicit feelings. Numerous investigations about the impact of typography, shapes and hues are being broke down and condensed. Ultimately, a reflection, end and conceivable inference of this postulation will be made to locate a potential response to the speculation whether it is conceivable to summon explicit feelings through explicit structure and on the off chance that it is conceivable to make a general example for future plans.

2.1 DEFINITIONS OF EMOTION

“Feeling is an arrangement of development that remained in the heart

without the authorization of the will, and that out of nowhere changes

the shade of the contemplations.” – Alain

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