How John Keats’ “La Belle Dame Sans Merci” illustrate the theme of illusion

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Compose two or more body paragraphs to support your thesis.
“The Chimney Sweeper” poems in Songs of Innocence and Songs of Experience can be seen as conversation poems. Keeping in mind the aspects included below, how do each of the poems meet the qualifications for a conversation poem? (use line numbers for your in-text citations)
Here’s a little more information about the characteristics of a “conversation poem”:
Speaker usually is in an outdoor setting
Reader “overhears” the conversation the speaker is having with a silent listener
Begins with a description of the landscape, the description triggers a memory
Speaker “achieves an insight, faces up to a tragic loss, comes to a moral decision or resolves an emotional problem”
Poem often “ends where it began, at the outer scene, but with an altered mood and deepened understanding which is the result of the intervening meditation”
(M.H. Abrams qtd. in Stillinger Romantic Complexity: Keats, Wordsworth and Coleridge 53)

How does John Keats’ “La Belle Dame Sans Merci” illustrate the theme of illusion/appearance versus reality? How does the concept of the “femme fatale” relate to the relationship between power and victimhood in the poem? (use stanza numbers for your in-text citations)
view the additional Femme Fatale lecture material

Wilfred Owen and Claude McKay each use poetry to convey messages their contemporary audience would likely have found unsettling. Using the information we discussed in class, including literary terms we’ve learned throughout the semester, discuss how:
Owen uses “Dulce et Decorum Est” to convey the reality of WWI warfare
McKay uses “If We Must Die” to convey the reality of post WWI life for African-Americans
(Use line numbers for your in-text citations on both poems)
Your responses must be submitted as a PDF in the appropriate Canvas link by 11:59pm Thursday 14 May. The submission link will open at 12am Monday 11 May.
Responses should be at least 1.5 pages each (double-spaced).

Sample Solution

ure, a channel is characterized as ”a client contact point or a medium through which the organization and the client collaborate” (Beck and Rygl, 2015, p.170; Neslin, et al., 2006, p.96). A channel can be named as both forward (deals) and in reverse (returns) contact focuses. The advancement of channel structures and the disadvantages of previous channel plans that are outpaced, as talked about by Saghiria et al. (2017), can be schematically outlined in this exploration as appeared in figure six.

Figure 6. The development of channel plans

The excursion of omni-channel retailing and flexibly chain business is broad, going through multi-and cross-channel retailing. Multi-channel retailing is the most essential channel structure and is usually connected with blocks and mortar stores (disconnected channels) and sites (online channels), with every one of the channels looking for its own enhancements in yield (Saghiria, Wildinga, Menab, and Bourlakisa, 2017). Cross-channel retailing is ordinarily connected with on the web and disconnected channels being incorporated with one another, through correspondence and data. Omni-channel retailing is the most refined channel plan, and is related with different touchpoints, all straightforwardly incorporated with one another and the client. These channel structures can be schematically outlined as appeared in figure 7 (Kositpipat, 2017).

Figure 7. Channel Designs (Kositpipat, 2017)

Alongside the development of shopping by means of different channels, firms continue making new channels (Beck and Rygl, 2015), subsequently, more contact focuses emerge. The development of channels carries us to the idea of omni-channel retailing, in spite of evolutonary investigate on OC stays immature (Saghiria et al., 2017; Hübner, Holzapfel, and Kuhn, 2016). OC retailing is characterized as a consistent shopping experience for the client, a world wherein a client can put orders, buy merchandise, any

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