African Art, Restitution, and the Contemporary Art Market

 

Critical Thinking Project #2: African Art, Restitution, and the Contemporary Art MarketSo many of the African artworks found in museums in Europe and North America were originally looted and stolen through colonialist and imperialist campaigns in Africa.For this project, you will watch a video about African Art, Restitution, and the Contemporary Art Market and then address the discussion prompts below:

Watch “Restitution? Africa’s Fight for its Art,” a film by Nora Philippe (French, 54 min, 2022): https://www.youtube.com/watch?v=OyzCBti9xMQ (Transcript can be found here: https://www.allarts.org/programs/afropop/restitution-africas-fight-for-its-art-6lH7oO/)
What types of African artworks seem to be the most popular on today’s art market? Did you see any African artworks in this documentary that were similar to the ones we discussed in class? (for example, Nok, Yoruba, Benin, etc.) Explain.
How does the film ask viewers to reconsider the role that museums play in collecting and exhibiting African art?

 

 

Sample Solution

Ask a question about the African art market, and many experts will be quick to tell you that there is no such thing. How could one market possibly encompass 54 countries, 1.2 billion people, and countless aesthetic traditions? It can’t. But that won’t stop the global art market from trying. The commercial sector has a way of co-opting talent into the international art slipstream (sometimes flattening history and context in the process). From the six categories of contemporary African art, the most popular is ‘Painting & Illustration‘, with 77% of all contemporary art collectors stating that they currently have this category of art in their collections today. ‘Sculpture’ (52%) and ‘Photography’ (43%) close out the top three.

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Databases/bioinformatics

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