Analysis of a poem

 

 

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Read the poem Sister Lou by Sterling Brown that attached to file and answer question:How are identities “shaped by cultural and societal influences within the contexts of equality and inequality”?

 

 

Sample Solution

In Sterling Brown’s poem “Sister Lou,” the speaker tells a story about two sisters living in a rural African-American community. The two sisters—Lou and Jane—have different experiences of life due to their respective positions within the racial hierarchy of the community. While Lou is seen as an ideal “model Negro,” Jane is shamed for her behavior and almost looked down upon by those around her. This demonstrates how identities can be shaped by cultural and societal influences within both contexts of equality and inequality.

In terms of equality, it can be seen that Lou is given more respect because she conforms to society’s expectations around gender roles, while Jane does not adhere to them. She instead chooses to flaunt her independence and strength; but despite this being viewed as admirable by some members of the community, it still results in her receiving less respect than her sister who lives up to what is considered “ideal” behavior for women at the time. Similarly, there are clear inequalities present in how one sister (Lou) is praised for being successful whereas the other (Jane) is shamed for failing to live up to expectations set out by society; in this way, we see that identities can indeed be shaped by cultural bias against certain communities or individuals.

Ultimately then, this poem serves as an example of how our identities are affected by both equalizing and unequalizing forces operating within our societies. By showing us how one individual can receive greater admiration than another simply because they conform better to social norms or expectations we gain insight into just how much influence culture has on shaping identity; from this perspective then it becomes easier understand why so many individuals feel disempowered when faced with oppressive systems which fail recognize their self worth regardless background or identity.

 

Legends as Monsters in Vanity Fair

“Indeed, this is a vanity, obviously, it is loud, it’s anything but an ethical spot nor a cheerful spot.” (Thackeray xviii) This is a villainful inhabitant, childishness – fascinate With a nonexclusive disguise – overwhelmingly developing among residents and attacking no matter what, even most courageous characters live automated and breed their beasts. In any case, a few people at the Vanity Fair knew about noxious childishness They were not influenced by life, however they were as yet ready to call attention to a large number of that evil.

We, ourselves, all, definitely beasts. Who will tell it? Just individuals like Sakuray himself were deluded by self-centeredness, however disdained the silliness of not recognizing his horrendous force. Regardless of whether overlooked, force can even deliver chivalrous beasts. In his novel “Vanity Fair: Heroless Novel”, this applies to the Vanity Fair for Saclay residents. As a glaring difference to the pioneer’s dynamic author John Banian, his fundamental job uncovers egotistical disguise

One, it is exceptionally irritating. “(Saclay xviii) here has its most awful inhabitant, narrow minded, enchanting camouflage.The most gallant character and life is too little to even think about succeeding in reproducing their beasts Evaluated, however a few people of the vanity reasonable were not influenced by life Such an individual

The second title of the Vanity Fair is a novel without a saint, a novel distributed somewhere in the range of 1847 and 1848, a British sarcastic culture in the mid nineteenth century. The title of this book originates from John Bunyan’s purposeful anecdote “journey of progress” that was first distributed in 1678 is still generally read in Sacray’s books. “Vanity” signifies to stop along the advancement of pioneers. A perpetual presentation in an unassuming community called “Vanity”. This epic is currently great and is thought to have been affected by a few motion pictures. Ongoing things are films featuring Reese Witherspoon 2004. In 2003, Vanity Fair was recorded in The Big Read vote of BBC ‘s “Best Favorite Novel” in the UK.

This July is the fifteenth commemoration of one of the most delegate reporting ever: the front of 2003 of the Vanity Fair is “It is the blustery season high schooler”. Vanity Fair took a nearby meeting with the most famous adolescents around then. Also, I included riddles of “most loved male” and “most loved excellent kid” and pictures that cause them to feel old with no uncertainty. In the period of radiant wistfulness, this story has been played commonly, there is sufficient article “where are they now?” So, to recognize the enormity of the “blustery youth”, we chose to take a stab at something new: remake it myself. Keep perusing and see Local at last responded to troublesome inquiries.

 

 

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