Articulating a Relational Database Design

 

One of the unique aspects of art is the role of interpretation. Artists often have a distinct vision of their work. But observers are free to interpret it in the way that makes sense to them, leading them to enjoy or critique it through their own lenses.
Database designers do not have this luxury. A database either serves the need of organizations and end users or it does not; there is no room for interpretation.

While an artist would rarely approach her audience and ask what they hope to see in her next creation, this is exactly what a database designer must do. To ensure that a database meets the needs of the organization and its users, designers communicate with users and other stakeholders to capture the vision of what is needed. This means that important stakeholders—nurses in particular—can make a significant impact on database design when they articulate to designers what is needed regarding the storage, search, and retrieval of healthcare data. Productive dialogue will help lead to the development of appropriate data types, relational tables, and other design elements. Such dialogue relies on the ability to effectively articulate database design. In this Discussion, you practice refining a database design by examining key design attributes and employing feedback from peers.
To prepare:
Review the Learning Resources.
Review your post from the Week 3 Discussion and the scenario on which it is based.
Identify any design issues that may be present in your database, including those related to one-to-many relationships or data types.
Consider ways in which you could connect the tables that you proposed in the Discussion in Week 3.
Review the article by Lo, et al. (2018) and consider the implications of connecting well-designed relational databases to improve outcomes through knowledge sharing.

 

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The Revenger’s Tragedy

Misfortune of Avengers What sort of misfortune is this? By definition, the misfortune is “a staggering, excruciating, dismal occasion”. Notwithstanding, the awfulness of Avengers doesn’t uncover every one of these highlights. It is frightful and abnormal, loaded with wicked, brutal, dead and maniacal grisly clarifications, however this is certainly not a dismal story. Instead of cause the crowd to feel distress, they regularly draw mind blowing doubtful feelings. The reason for the misfortune isn’t inefficient sorrow, however to utilize retaliation as a persuading intends to cause contempt.

Shakespeare’s “Hamlet” shows the overall components found in the awfulness of the retribution of the renaissance (“misfortune of vengeance”). Be that as it may, despite the fact that Hamlet is a misfortune of vengeance, Shakespeare confounds the essential retribution plot by making three vengeance plots. By including significant advancements, Shakespeare makes ‘Ship of the Concentric Revenge Miwa’ (Frye 90) which is definitely not a physical legend yet a phantom, not an apparition, yet a scholarly saint who is an issue. did. viewpoint

In this investigation of retribution and vengeance of Elizabeth ‘s vengeance, the two plays I see are the “Hamlet” of William Shakespeare and “The Tragedy of Avengers” of Thomas Middleton. After first observing the treatment of the dramatist ‘s Avengers’ character, different characters in the play will deal with the Avengers. Despite the fact that their essential topic and shows are comparable, the two plays show a differentiating picture of vengeance; rather than “Vindicator’s misfortune”, Hamlet is an increasingly complex of his hero Provide treatment restricted by the creator’s social data and lacking

The awfulness of vengeance (some of the time called retribution dramatization, vengeance show or grisly misfortune) is a sort of hypothesis whose fundamental subject is the deadly aftereffect of vengeance and retribution. American instructor Ashley H. Thorndiek formally reported the awfulness of vengeance in the 1902 article “Connection among Hamlet and contemporary retribution show”, recorded the advancement of the hero’s retribution plan, and frequently killers and Avengers Brought about his own passing. This sort previously showed up in the early current British distributed by Thomas Kid’s “Misfortune of Spain” in the last 50% of the sixteenth century. Early works, for example, Jasper Heywood ‘s Seneca (1560’ s), Thomas Norton and Thomas Sackville ‘s play Gorbuduc (1561) were additionally viewed as a misfortune of vengeance. Different misfortunes of renowned retribution incorporate the awfulness of William Shakespeare’s Hamlet (1599-1602), Titus Andronics (1588-1593), Thomas Middleton’s Avengers (around 1606).

 

 

 

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