Assessing Conduct and Oppositional Defiant Disorders

 

 

Review the case study beginning on page 314 of the Abnormal Psychology text and respond to the following
using headings to match content in each bullet point:
Compose three open questions you would want to ask Jeremy and his mother during your assessment that will
invite them to expand upon their perspective of the presenting problem. Consider ways to phrase questions
that will help you assess the biological and social risk factors for conduct and oppositional defiant disorders.
Provide a brief rationale for each question.
Identify a potential diagnosis for Jeremy including the psychosocial and environmental problems (V and Z
codes) that would be important to provide a holistic description of the context of the focus of treatment.
Include any information you learned from using the Differential Diagnosis tool.
Support your ideas with references to the course texts, articles from this learning unit, articles from the Optional
Readings, or articles from peer-reviewed journals that you locate in the Capella University Library.
Response Guidelines
Responses are encouraged, but you are not required to post responses to other learners for this discussion
question.
Learning Components
This activity will help you achieve the following learning components:
Identify the main symptoms observed in persons who are experiencing the psychological disorders.
Review assessment tools and their application.
Identify the role of diagnostic codes, including Z codes, to support a holistic diagnosis of clients seen in family
counseling.
Use language appropriate for a counseling professional.
Cite and reference resources, giving appropriate credit for another’s work.
Resources: Jeremiah case study
Jeremy has been increasingly difficult to manage since nursery school. At school, he teases and kicks other
children, trips them, and calls them names. He is described as bad-tempered and irritable, though at times he
seems to enjoy school. Often he appears to be deliberately trying to annoy other children, though he always
claims that others have started the arguments. He does not get in serious fights but does occasionally
exchange a few blows with another child.
Jeremy sometimes refuses to do what his two teachers tell him to do, and this year he has been particularly
difficult during arithmetic, art, and science lessons. He gives many reasons why he should not have to do his
work and argues when told to do it. At home, Jeremy’s behavior varies. Some days he is defiant and rude to
his mother, needing to be told to do everything several times, though he usually complies eventually. Other
days he is charming and volunteers to help, but his unhelpful days predominate. His mother says, “The least
little thing upsets him, and then he shouts and screams.” Jeremy is described as spiteful and mean with his
younger brother, Rickie. His mother also says that he tells many minor lies, though when pressed he is truthful
about important things. (Source: DSM Casebook: A Learning Companion to the Diagnostic and Statistical
Manual of Mental Disorders, Fifth Edition. American Psychiatric Association, 2013.)

Sample Solution

 

 

 

Examination of Television Series Desperate Housewives

Frantic Housewives is a famous TV show about housewives and their day by day lives. This is a progression of satire, dramatization and puzzle. The show happens in an anecdotal road called Wisteria Lane. The play saw the lives of a gathering of ladies through the eyes of his neighbor Mary Alice, and Mary Alice ended it all at the main scene. This arrangement has recorded ladies’ lives for a long time in 8 years. While confronting the puzzles and privileged insights holed up behind their apparently impeccable rural neighbors, Wisteria path ladies are taking a shot at family clashes and relationships.

The point of this segment is to investigate the arrangement and capacity of female naming accounts in the TV arrangement “Sex and the City”, “Urgent Housewives”, and “Tattle Girl”, zeroing in on a progression of frantic housewives. So as to completely see every single plan, it is critical to completely break down who the storyteller is and what they speak to. The study in this white paper depends on the examination of the initial three arrangement of every TV show and spotlights essentially on the voice towards portrayal.

It is significant that every one of the three TV programs are of various sorts. “Sex and the City” and “Urgent Housewives” are worried about the individual existences of their four heroes, yet their lengths are extraordinary: “Sex and the City” is named a satire around 25 minutes , Classified as give up all hope of around 45 minutes. Housewife, it is delegated a dramatization arrangement (like the 45-minute youth show arrangement Gossip Girl). I know who the storyteller is in ‘urgent housewife’ and ‘sex and city’, however infrequently have seen them talking. This is portrayed by Allrath et al. It is a view. Call it “undetectable storyteller’s voice” (fifteenth year). The storyteller shows the encompassing crowd, presents the scene they are seeing, and doesn’t show their face to assist them with understanding the primary focal point of the scene.

Most importantly, I think it is significant that the title and motivation behind the show gestures to ABC’s sad housewife. In 2005, edgy housewife won six of the seven Emmy grants before Bravo broadcast the main bona fide housewife scene. Despite the fact that the title of “Urgent Housewives” is clever, it is accepted that reusing possibly debased dialects ​​will possibly give power just in the event that it is done uniquely by individuals who have been decimated. To make all watchers and every Hollywood player, Dick and Leo state “edgy” to ladies in this well known show, isn’t to be delivered from generalizations, however to keep it. A genuine housewife answered to ABC’s content arrangement, and these ‘housewives’ appears to be not edgy (regardless of whether they are so). Also, the program for ladies beyond 35 years old is inconsistent with the way that everybody is attempting to smack their face.

 

 

 

 

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