Brummett claims that plenty of texts are really “fairy tales in disguise.

Brummett claims that plenty of texts are really “fairy tales in disguise.” Identify a text that you think could be read as a “fairy tale in disguise” and explain your reading. Did you arrive at this conclusion inductively or deductively? Explain

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people’s flashback. Salih recalls his experiences on Arabia front can be given as an example. The narrator is 3rd person narrator. The author expresses his thoughts through the internal monologue of the characters. For example, the thoughts of the Istanbul Hodja about the National Forces:

“Ancak iyi iddia iyi niyet bir Kuvay-ı Milliye de değildi. Daha birçok cemiyetin kurulmuş, elebaşları çıkmıştır. Bunların hepside vatanı milleti bahis ediyorlardı. Hatta yalnız bundan bahsediyorlardı da, bir türlü bir araya gelemiyorlardı” (Buğra 181-182). According to me, the author has expressed the idea of unity through Istanbullu Hodja. It is a very intensive technique. Especially when the characters are alone, they are used when they think about a subject. Through internal monologue we learn the author’s ideas and ideology. The technique of expression is the dialogue that takes the most part in the novel. In particular, the first book is heavily involved in dialogue, while in the second book, internal monologue technique becomes prominent. The first book is predominant while the second book is intense with emotions and thought. The novel is a tragic novel and the writer addressed the modernist and traditional in a different way. In fact it compared modernism and traditional. It is a realist novel because it deals with an event in history and the events are real: “Ben bütün bu eserlerde birtakım kırıntılar arıyordum; Küçük Ağa’nın niçin ve nasıl Küçük Ağa olduğunu aydınlatacak kırıntılar. Bunları bulduğumu sanıyorum. Eğer elde ettiğim malzemeyi iyi kullanabildiysem şu roman gerçek bir romandır” (Buğra 4-5). There are no paradox, gaps and ambiguities in Küçük Ağa. However; Niko takes a lot of part in the beginning of the novel and the lack of knowledge about Niko at the end, and the lack of knowledge of what happened to the Niko can be seen as an ambiguity. The War of Liberation, the War of Independence, and Mustafa Kemal Atatürk, in the book, can be referenced to legends:

“Bu arada çırılçıplak bir isim, Mustafa Kemal, doğuyordu. Kuvâyı Milliyeciler bütün güçleri ile bu çıplak isimden bir efsane kişiliği yaratmaya çalışıyorlardı. Onların bu işi başarmaları da güç olmayacağa benziyordu. Bir yandan Mustafa Kemal’in ruh ve kafa yapısı ile çıkarıp attığı terfilerini süsleyen başarılan, öte yandan da halkın bir kahramana ihtiyacı ve Kuvâyı Milliye ön ekibinin her çeşit üstünlüğü sonucu sağlama alacak gibi görünüyordu” ( Buğra 227-228). This section is mentioned in the legendary way of Mustafa Kemal Atatürk. The war of liberation and Mustafa Kemal Atatürk are important legend

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