You are a nursing student. You are also HIV positive because of some high-risk behaviors you engaged in a decade ago. (It seems like a lifetime ago.) You are now in a committed, monogamous relationship, and your partner is aware of your HIV status. You have experienced relatively few side effects from the antiretroviral drugs you take, and you appear to be healthy. You have not shared your sexual preferences, past sexual history, or HIV status with any of your classmates, primarily because you do not feel that it is their business and because you fear being ostracized in the local community, which is fairly conservative.
Today, in the clinical setting, one of the students accidentally stuck herself with a needle right before she injected it into a patient. Laboratory follow-up was ordered to ensure that the patient was not exposed to any blood-borne disease from the student. Tonight, for the first time, you recognize that no matter how careful you are, there is at least a small risk that you could inadvertently expose patients to your bodily fluids and thus to some risk.
DQ: Decide what you will do. Is there a need to share your HIV status with the school? With future employers? With patients? What determines whether there is “a need to tell” and a “need to know”? What objective weighted most heavily in your decision?
Discussion Protocol. Please observe the following 3 x 3 rule: when writing your weekly discussions: – A minimum of three paragraphs per DQ. Each paragraph should have a minimum of three sentences.
Music programs are fundamental since they advance individual character improvement by cultivating aptitudes, for example, duty, discipline, time the board, imagination, tolerance, and tirelessness. Through the in a general sense communitarian part of music, understudies likewise manufacture significant social aptitudes, for example, correspondence, adaptability, participation, and administration. A comprehension and energy about music positively affects kids’ capacity to learn in every other experience for the duration of their lives, and understudies who study music are presented to circumstances that make an all the more balanced
Music ought to be a center component of the instructive educational plan at each evaluation level. The national guidelines for music training are significant on the grounds that they give a structure that empowers instructors to continually assess and improve their educating. Jerome Brunner’s winding educational program learning hypothesis keeps up that ideas can be instructed at any age as long as they remain mentally genuine to the youngster’s level. Primary music ideas can be educated even at the most punctual evaluation levels and consistently based upon as the understudy develops. Each understudy ought to be allowed the chance to learn music, paying little mind to financial status, physical or scholarly capacity.
A decent music educator must be on a very basic level patient, compassionate, and adaptable, while as yet keeping up a sorted out and organized homeroom. Understudies ought to be shown both a stylish and scholastic comprehension of music, just as down to earth music abilities. It significant for a music instructor to utilize various showing methods so as to reach however many understudies as could be allowed, giving music exercises that invigorate sensation, visual and sound-related students the same. Thusly, a compelling music instructor must be both in fact talented as a performer and have a wide information base of hypothesis, history, and different parts of music.