Chimamanda Ngozi Adichie’s The danger of a single story

 

1. One way to understand/demonstrate understanding of a writer’s work is to write in that writer’s style. So, compose a 14-line stanza in the Modernist/stream of consciousness style of T. S. Eliot’s “The Love Song of J. Alfred Prufrock” (1516). Remember Eliot broke with traditional line length and rhymes; used snatches of conversation; changed points of view; mixed concrete, colloquial language with proper speech; alluded to other bodies of knowledge such as the Bible, Shakespeare, fashion of the day–and probably would have used popular rappers, concert idols, etc.–along with incorporating internal rhyme, much alliteration, and enjambment (run-on lines). In your excerpt, you must include a name from your family (very extended included), a specific car in your life (ex. Dodge Charger, Yugo, Olds Silhouette, Ford Mustang GT), a specific toy, an acquaintance of positive or horrid consequences, and a specific geographic location. As in “The Love Song,” your first line (s) must be an invitation and your final two lines must be a refrain as in “In the room the women come and go/Talking of Michelangelo.”

2. Research The Raft of the Medusa by Theodore Gericault (pron, Jericho) painted in 1819 (reproduction on page 300 in The Broadview Anthology, much better ones online). Explain the event, its historical significance in terms of political power abuse, social class issues, suffering/escape from suffering. Relate this painting of protest to the beliefs of at least two writers whom we’ve studied this term. Also, be sure to include the extensive research of Gericault (visits to morgues, etc., reconstruction of the raft) in your response. Use at least one quotation from each of the writers to whom you refer.

3. Relate Chimamanda Ngozi Adichie’s The danger of a single story on TED Talks to an episode in your life in which your personal experience limited (narrowed, warped) your point of view. Use at least one quotation from The danger plus at least one quotation from her “A Private Experience” (1797) or her “Introduction” (1795).

 

Sample Solution

advertisements were deliberately sending to identify possible ways in which they could be fuelling discriminatory/offensive behaviours. In order to ensure that learners were not locked out from accessing the powerful knowledge, examples were used of advertisement/businesses that were relatable to the learners in the classroom (Wheelahans, 2007).

The next activity planned for the lesson was for students to watch the infamous Iceland advert which was banned from being televised regarding the politically driven palm oil claims. The basic concerns regarding the advertisement where given to the students as well as eliciting from them the obvious positives – however, students were then to construct a debate arguing whether or not the ad was appropriate or not. This provided the students to consider both sides of the argument and develop their critical thinking skills to matters beyond those which they would have personally experienced. Through the debate it was intended for students to be able to articulate their opinions and logically analyse the appropriateness of the advert and unethical marketing – with what ‘unethical’ is being a matter of contention. As they were preparing their thoughts, I was then able to support particular students in their thinking, who due to personal experiences or different contextual reasons, may have been unable to access the knowledge.

In order to gain an insight as to whether or not students have received this powerful knowledge it is important to effectively use assessment. For this lesson the powerful knowledge was assessed through students having to apply the concept of business marketing and ethical considerations of society to different adverts. From receiving feedback and listening to student responses it becomes clear whether they have grasped the concept and able to look beyond the campaigns to consider any ethical issues which they may infringe upon. For example, students were able to identify from seemingly harmless campaigns how they could be misinterpreted and have an inflammatory response from particular groups from within society e.g United Colours of Benetton ‘World leaders’ campaign, Co-Op’s ‘Easter Egg for daughters’ campaign and Pepsi’s Kendall Jenner advertising faux pas. These aren’t necessarily ethical issues encountered by students explicitly and therefore sought to take them beyond their everyday experiences. They gained a knowledge not just in general social issues but how these issues can be found in business practice. Conclusions were drawn that business’ have a role in dealing with societies woes, however understanding that these conclusions are open to challenge

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