Comparing and contrasting ISO v. NIST database security frameworks.

 

Write an essay of at least 500 words comparing or contrasting ISO v. NIST database security frameworks.

Include at least one quote from each of 3 different articles, place the words you copied (do not alter or paraphrase the words) in quotation marks and cite in-line (as all work copied from another should be handled). The quotes should be full sentences (no more, less) and should be incorporated in your discussion (they do not replace your discussion) to illustrate or emphasize your ideas.

Sample Solution

Comparing and contrasting ISO v. NIST database security frameworks

The International Organization for Standards [ISO], is a family of standards that will help your organization manage the security of assets such as financial information, intellectual property, employee details or information entrusted to you by third parties. The National Institute of Standards and Technology [NIST] cyber security framework, is a set of best practices, standards, and recommendations that help an organization improve its cyber security measures. Both National Institute of Standards and Technology and the International Organization for Standardization have industry-leading approaches to information security. Most commonly, the NIST cyber security framework is compared to ISO 27001, the specification for an Information Security Management System [ISMS]. Both NIST and ISO are useful for data security, risk assessments, and security programs. The difference between the two is that NIST 800-53 is more security control driven with a wide variety of groups to facilitate best practices related to federal information, whereas, ISO 27001 is less technical and more risk focused for organizations of all shapes and sizes.

 

 

 

 

 

 

Chinese Restaurant: Cultural and Esthetic Perspectives Report (Assessment)

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Presentation: Culture and Esthetics in the Context of Culinary Systems

Living in the today relentless climate doesn’t permit individuals to contemplate the tasteful parts of food, including its readiness as well as utilization thereof. The recognized propensities in the lives of the 21st-century individuals lead on to a bogus supposition that there is practically no style in food utilization or creation. Notwithstanding, there is a conspicuous association between culinary frameworks and style as an idea. Additionally, there are various societies of food creation and utilization.

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Fundamental Cultural Perspectives: The Chinese Interpretation of the Culinary Art

With regards to the Chinese culture, culinary is ordinarily seen as a fine art. Therefore, food, just as the phases of its creation and utilization, is seen fundamentally as a tasteful encounter. Consequently, the inventive creative mind part of food readiness is stressed vigorously in the Chinese culture (Ilmann, 2013).

What makes Chinese food not quite the same as the one having a place with some other culture is the way that it is wealthy in tones, flavors, and taste variety. The utilization of flavors and other flavor enhancers regularly had the stylish motivation behind dispersing explicit scents that would be viewed as unappealing in any case (e.g., lamb). In any case, the expansion of flavors into the food likewise inferred broadening the taste and making the experience of its utilization novel.

Hence, when orchestrating the Chinese eatery so the supporters could favor of the genuineness of the spot, one must think about the accentuation on the masterful part of cooking. The cycle must be seen as a definitive path for a cook to communicate and their aesthetic vision. At long last, one must maintain the attention on the variety that is seen as the fundamental element of the Chinese food and the center of its feel.

Handy Esthetic Ideas for a Chinese Restaurant

The feel of the eatery must be both complex and speaking to the residents of all social and ethnic foundations. Besides, while actualizing the planned culinary methodology with regards to a specific setting, one must remember that there is a substantial distinction between the Eastern societies and the Western ones. Subsequently, it is important to understand that, on the off chance that the benefactors of the eatery are of an European, America, or whatever other drop that isn’t identified with the Eastern one, premises for a culture conflict can be made. To evade the potential issues, it will be important to fall back on a portion of the diverse correspondence methods that will help get the message across effectively without mutilating it (Young and Richardson, 2013).

Now, one must raise the issue identified with the utilization of the conventional sayings and components related with the Chinese culture and typically saw as cliché. Albeit some of them may be valid, the generalizations about the Chinese culture hurt the way toward encountering the Chinese culture, as a rule, and its food, specifically, to a significant degree. Hence, the utilization of the cliché symbolism as the methods for putting a more grounded accentuation on the idea of the administrations must not be abused. For example, the dishes molded like monsters, which are a basic piece of the Chinese culture, are not to be seen as a crucial component of the plan – very actually, it is recommendable that the recognized component ought to be remembered for the general plan in a more unobtrusive way (e.g., utilizing the diagrams of the picture rather than the whole picture). The cliché symbolism, while not really to be stayed away from, should be deciphered as an extra device for delivering a particular thought and acquainting the crowd with the special air of the spot. All in all, while cliché symbolism might be spoken to in the eatery, it must not be depicted as its selling point (Counihan and Estenik, 2013).

All things considered, the benefactors must understand that the café offers its guests genuinely exceptional experience of reveling into the feel of Chinese culinary workmanship, with a discretionary possibility of studying the Chinese culture, all in all. All in all, the bona fide components must not be made prominent; all things considered, the crowd ought to be pointed carefully to the way that they are going to encounter the Chinese culture in the entirety of its extravagance and variety.

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Stylish Concepts and the Culinary Design

Capitulating to the customary sayings utilized by Chinese eateries in an European or American setting is unmistakably not the most ideal approach to speak to the spot and the craft of its cooks. In this manner, it will be a sensible advance to utilize the unobtrusive contacts to new dishes rather than furnishing the intended interest group with the standard exhibit of Chinese food (e.g., dumplings, spring rolls, and so forth) Barring the distinguished components from the menu isn’t essential; all things being equal, it will be sensible to stretch the variety of the dishes that the eatery has to bring to the table.

Counting the food prepared in the styles of various territories can be viewed as a proper utilization of variety as a tasteful idea that is broadly regular in the Chinese cooking. As focused on above, even the customary food that has gotten the staple of the Chinese cooking contrasts in its fixings and ways to deal with cooking dependent on the area from which the formula is acquired, henceforth the need to enhance the menu (Zhu, Huang, Zhang, and Zhou, 2013).

Thinking about shapes and tones as an integral part of the culinary plan, one should, in any case, observe the norms that have won in the Chinese culture in spite of the way that they might be utilized by different eateries. For example, the utilization of the dark tone as one of the effectively recognizable subtleties of the Chinese visual culture should be raised as a basic expansion to the culinary plan. Along these lines, the fuse of precise components, particularly squares and rectangular shapes, in the plan of the climate and the dishes must be seen as a fundamental undertaking.

Moreover, one must remember that the idea of amicability makes one of the fundamental structure squares of the Chinese culture. Along these lines, to make the remarkable experience that will both speak to the objective culture and take into account the necessities of the benefactors, one must ensure that there should be no components that appear to be out of harmony with the remainder of the climate.

Now, in any case, one must highlight the undeniable reality that the majority of the eatery supporters are probably going to be of either the European or the American plunge. In this manner, establishing a nuanced climate in which they could drench in the objective culture is basic, yet it is additionally essential not to over-burden the eatery with extreme subtleties. As such, disentangling the urgent components of the Chinese culture with the goal that it could get available to the benefactors, everything being equal, and simultaneously effectively unmistakable is fundamental. Thusly, it will be sensible to change the Chinese feel somewhat with the goal that it could make the climate of the eatery effectively recognizable and simultaneously effectively available by the delegate of any culture

To establish the one of a kind climate where each guest, just as the supporters of any drop, could feel enlivened and captivated by the Chinese culture and simultaneously agreeable in the objective setting, one may think about consolidating the components of the Eastern and the Western culture in an unpretentious way. Therefore, a trade off among structure and capacity can be reached, which is particularly significant for culinary as a fine art with regards to the 21st century. The globalization-related patterns which can be seen in the climate of the 21st-century advance dynamic experience sharing between the delegates of various societies everywhere on the world (see Fig. 1).

Thus, the requirements for multiculturalism have been made. The affinity for societies to secure outsider components and join them naturally into the plan of the climate and the dishes should be utilized while making the culinary plan. Something else, the benefactors of the café, just as its guests, will neglect to interface with the Chinese culture. In the last case, the experience that the benefactors and the clients will have at the eatery won’t be unique in relation to the one at some other spot serving regular Chinese food.

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Globalization Rates: Confidence Index, 2000-2015.

Figure 1. Globalization Rates: Confidence Index, 2000-2015 (Connected dangers: Investing in a disparate world, 2014)

While thinking about the parts of the culinary plan, one must furnish the crowd with the dishes that speak to the four basic territories of the state. The products of sunlit Canton ought to be joined with the fiery pizazz of Szechwan, while the methods dependent on fish and rice and the establishment for the Chinese food of the Hunan region will turn into the establishment for more complex dishes. At last, the components of the northern plans will fill in as the way to make the dishes supporting (Feuer, 2015).

End: Restaurant Esthetics as Experienced by Patrons

By zeroing in on the parts of the Chinese cooking that have not been at this point tended to in detail by other eatery organizations, just as holding the cliché components of the Chinese culture

 

 

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