Consumption-savings problem

 

 

 

Econ-122, Winter 2021
International Finance
Problem Set 1
Oleg Itskhoki
Posted: January 20, 2021.
Due: January 30, 2021
Problem 1: Three-period consumption-savings problem
Consider a three-period decision problem:
max u(c0) + βu(c1) + β
2u(c2)
subject to the flow budget constraints for t = 0, 1, 2:
bt+1 = (1 + r)bt + yt − ct
,
where b0 is the initial wealth of the country.
1. Explain why in this three-period model it cannot be that b3 < 0 and it should not
be that b3 > 0.
2. Given this, use the flow budget constraints to derive the intertemporal budget constraint:
c0 +
c1
1 + r
+
c2
(1 + r)
2
= (1 + r)b0 + y0 +
y1
1 + r
+
y2
(1 + r)
2
.
Interpret this equation.
3. Show that the intertemporal budget constraint is equivalent to
(1 + r)b0 + nx0 +
nx1
1 + r
+
nx2
(1 + r)
2
= 0,
where nxt = yt − ct
. Explain why it is also equivalent to b0 + ca0 + ca1 + ca2 = 0,
where cat = rbt + nxt = bt+1 − bt
.
When is it possible to have nxt < 0 for every t = 0, 1, 2 and why? Which country
that we discussed might fit this description? Does it violate the logic that all trade
deficits must be compensated by trade surpluses?
1
4. Using your favorite method, derive the intertemporal optimality conditions for t = 0, 1:
u
0
(ct) = β(1 + r)u
0
(ct+1).
5. Assume b0 = 0 and β = 1 and r = 0. Solve for consumption c0, net exports nx0,
and current account ca0, by defining the concept of permanent income ¯y. Interpret
your results by providing examples for different y0 and ¯y.
Discuss intuitively how the result change when b0 < 0, β < 1, and r > 0.
Problem 2: Two-period model with investment
Consider a two-period economy facing the following budget constraints:
c1 + k + b ≤ y1,
c2 ≤ y2 + (1 + r)b,
where y1 is an exogenous endowment and second-period output
y2 = Akα
with 0 < α < 1 and productivity A. Note that k is both first period investment and
second period capital stock (implicitly assuming full depreciation, δ = 1). Also note that
initial b0 = 0, and hence b is both first-period current account and second-period net
foreign assets.
1. Explain how this special environment maps into the general framework of National
Income Accounts, and in particular why:
ca1 = y1 − c1 − k = b and ca2 = rb + y2 − c2 = −b.
2. Explain how to derive the intertemporal budget constraint:
c1 +
c2
1 + r
= y1 − k +
Akα
1 + r
.
3. Given this budget constraint, characterize the optimal capital investment k of the
country and interpret your results (how does optimal k depend on r and A, and why).
4. Explain why it is possible to determine optimal investment without characterizing
the optimal consumption-savings decision. In other words, why investment and
savings decisions separate and when would they not?
5. Why do we expect a country with a high A (relative to y1) to run a current account
deficit? What may be real-world examples of such countries?
2
Problem 3: “Current Account Deficits in the Euro Area”
Based on your reading of Blanchard and Giavazzi’s Brookings Papers article, evaluate as
being true, false or “it depends” the following statements (write 1–2 paragraphs for each):
1. Euro Zone integration in early 2000’s allowed Southern European countries to run
current account deficits because (1) they now faced lower interest rates and (2)
needed to borrow for investment to catch up to more developed countries of the
Northern Europe.
2. Policymakers should be acutely concerned about these current account deficits, as
they are driven by the private-sector borrowing as opposed to sovereign borrowing
by governments.
3. Closer financial and trade integration between countries allows for larger gaps between domestic investment and savings and should lead to larger current account
imbalances, with poorer developing countries running large current account deficits
against richer developed countries.

 

 

 

 

Sample Solution

Tones of Poems The shade of verse is anything but difficult to pass judgment on somebody’s sentiments through the voice during discussion. On the off chance that individuals are cheerful, or simply fun, they for the most part make their faces giggle, however on the off chance that they are furious, their voice gets stricter and greater. Creators can utilize different procedures to communicate feelings in short stories and books, for example, outcry focuses and italics. These strategies make it simpler for perusers to comprehend what the character feels. In verse, it is hard to comprehend your condition. These sonnets have various contrasts. The circumstance of verse and adversaries is unique. In Sukhrin’s sonnet, the condition is exceptionally miserable. In affection verse, the tone isn’t just dismal yet in addition exceptionally bold. The two sections are dismal so the two tones are in acceptable concurrence with the refrain. The other party is a lady in John Suckling’s verse, and Richard Lovelace’s sonnet is a restriction war. As indicated by the clarification, Suckling’s “the reason it is so pale, glad, darling” is an impersonation of the custom of affection in the court, demonstrating the writer’s uncertainty about the convention in the embarrassment and his knight’s joy. Sacling’s verse incorporates incongruity of the subjects. It blames youngsters utilizing coat love code as he considers his lady’s aloofness. An artist ‘s beau can not make a move outside of customs with the goal that he doesn’t direct his concentration toward ludicrousness and false reverence of his conduct. Without genuine love and sex understanding, ironicly the artist calls the sweetheart “youthful delinquent”, as they will be limited by crushed convictions. There is no uncertainty that verse and its three refrains have gained comparative ground. Be that as it may, the tone of verse is very contrastive. Wonder’s verse has indisputable dissatisfaction and want for affection. This is in sharp difference to Dawn’s verse where wickedness tone is self-evident. Marvell’s poeties express a great deal of feelings; both “carpe diem” (“get on the day”) and “tempus edax” (“time devourer”) are clear in this stanza. This is in sharp difference to the next two sections that don’t have clear feelings. Think about John Donne’s “The Flea” with Andrew Marvell’s “To His Coy Mistress” and conclude which is the most appealing thing. Understanding the tone of verse is significant for the artist to comprehend what he needs to state. This is likewise significant in choosing the topic of this sonnet. How would you choose the tone? In the wake of perusing just because, you may feel the tone of this sonnet. Be that as it may, how would you realize what is directly for you? You need proof from verse that underpins your case. You took a gander at the jargon and found the proof. The word reference is the decision that the writer picked when composing verse. If it’s not too much trouble consider the decisions you made when composing. You can pick what you can say anything. How would you pick the correct words? In the event that you need to get genuine, you can pick a few words to pass on a genuine tone. Initial segment of the guidelines: Please read the accompanying sentences. As a matter of first importance I will compose the sentences. Accentuate the (word) that you think will add to making the tone for each sentence. Single sentence: frozen yogurt dissolving PPreaccttiiccaall PPooeettrryy AA GGuididdee ttoo TTomeachchinngg CChmmmmoon CCoorree TTextxtt EExextmemplaarrss ffoor PPoetetryry iinn

This question has been answered.

Get Answer
WeCreativez WhatsApp Support
Our customer support team is here to answer your questions. Ask us anything!
👋 Hi, Welcome to Compliant Papers.