Contemporary Poetry

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The Political 1930s

Dos Passos, USA Read “The Body of an American” (Links to an external site.)

Faulkner, “Barn Burning” (D771-83)

Steinbeck, “The Leader of the People” (http://www.d.umn.edu/cla/faculty/tbacig/cst1030/1030anth/steinbec.html (Links to an external site.)Links to an external site. )

Pick one of the three questions:

1.How does Dos Passos use technique in “The Body of an American” to convey the upheavals of war?

2. What is Faulkner saying about the division between rich and poor in “Barn Burning”?

3. What is Steinbeck saying about American expansionism in “The Leader of the People”?

LEARNING OBJECTIVES: STRONG OPENING THESIS, DEVELOPMENT (500 words), SUPPORT (quotations), OBJECTIVE TONE (No “I” or “we”).

Lesson 12

Contemporary Poetry

Ginsberg, Howl (E487-95), “A Supermarket in California” (E495)

Plath, “Daddy” (E626); “Lady Lazarus” (E622-25)

Bishop, “The Fish” (E56-58), “The Moose” (E68-72)

Lowell, “Skunk Hour” (E301), “For the Union Dead” (E303-305)

Rank the poets you read for this lesson from least to most confessional. In other words, which of them seems most absorbed with personal feelings, experiences, etc., and which seem less so—and why? (Don’t simply make a list—you must rank them with a justification)

Sample Solution

d by its neighbor Lovitzna, a somewhat bigger commonwealth, additionally Ruritanian to the extent can be judged, depicted by the Maltovian diplomat as: “… another state, not huge, as nations in Europe go, however bigger than we are.” Johns gives minimal enough real data on Maltovia, and even less on Lovitzna, in spite of the fact that the names he cites for the last nation, e.g., Zarovitch (the name of the decision tradition), Hotel Stadplatz, Shavros, Stretta Barovsky, do extend a Ruritanian picture like that of Maltovia. Lovitzna is building up a flying corps with the help of European educators, and the story starts with the Maltovian represetative in London asking Biggles, Algy, and Ginger to create one for Maltovia to counter the danger from Lovitzna.

BGW incorporates scenes, for example, e.g., Biggles telling a German pilot that local people “dislike us, you know, they are sensitive (93; No. 17 underneath)”, which may have evoked unwelcome pictures and undertones among Czech perusers, particularly during the period when BGW and BLJ were first published.8 The arrangement decided on by P to deal with such circumstances has been to go one little above and beyond than interpretation, and to transpose the story, moving Maltovia to some unclear spot in the Middle East, perhaps around Northern Iraq, see beneath, and renaming a large portion of the characters, placenames, and geological highlights as needs be, e.g., Nieper is supplanted by Kismid, (Cigaretten) Greta by Fatima, and so on., while leaving the real storyline altogether unaltered, even down to subtleties. This paper will talk about the degree to which the transposition has prevailing with regards to safeguarding the first flavor and type of the story: a shaking decent yarn for late pre-teenagers of all ethnoi.

III. TRANSPOSITION

Whittlesey 2012 sets up a thorough continuum for any exchange of any substance starting with one medium then onto the next, chiefly, however not only, including language to language, language to different mediums,

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