Corporate compliance

Interview a corporate compliance officer of any healthcare organization and analyze the strengths and weaknesses of the organization’s compliance program. You can do this via phone, Skype, in person, or possibly even e-mail. How you obtain the information is your decision. Some organizations publish their compliance plans on the Web. It is fine to reference web-based resources, but it is essential that you make a connection with the corporate compliance officer to ask questions about his/her background, reporting relationships, and, if they are willing to describe what they believe are the greatest compliance challenges and successes they have faced.

we focus primarily on hospitals and healthcare systems’ compliance challenges. However, the OIG has created compliance guidance for every type of healthcare provider. So, feel free to select any type of healthcare organization to interview and analyze. In addition to hospitals and healthcare systems, other examples of healthcare organizations include pharmaceutical companies, durable medical equipment manufacturers, health insurers among others. You can search the OIG’s compliance guidance website for other examples.

Prepare a 6-page paper describing the organization’s compliance function. Include descriptions of the qualifications of the compliance officer, reporting relationships, how (or whether) the compliance plan contains the five key components. Using primary resources and APA format:

Analyze the strengths and weaknesses of the program. Identify compliance risks.
Make recommendations for improvement.

Sample Solution

home from its privileged association with domestic ideals and the testing of the “house” as a modern alternative.” (85). Indeed, the distinction between the home and the house is an important one. The house is stripped of its elevated position as a secure space and instead occupies a more liminal position, prone to change and invasion. This differs from Tagore’s text which has no apparent engagement with capitalist affairs at the outset. Instead, Bimala’s household is initially unmarred by the influence of external forces “It transcended all debates, or doubts, or calculations: it was pure music.” (18). However, it would presumptuous to suggest that this state of bliss is indefinite as the looming presence of the outside world is certainly visible within Bimala’s narrative “What do I want with the outside world?” (23). Such allusions are important as they highlight the threat of what lurks beyond the safety of the household. In this sense, Berman’s vision of modernity as “a maelstrom of perpetual disintegration” (15) does not coalesce neatly with how it is presented in Ibsen and Tagore’s texts. This is because a maelstrom is indicative of a vortex, consuming the matter that surrounds it. It is not subtle, it is antagonistic. Yet, in both pieces it is more akin to an infection, spreading outwards and contaminating all that it touches. It is not an aggressive force, like a maels

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