The Theme of Deviance in “Borderlands/La Frontera” by Gloria Anzaldua
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gloria anzaldua
In the half-true to life book Borderlands/La Frontera: The New Mestiza, Gloria Anzaldua addresses the
issue of deviation in present day American culture. The book itself is an assortment of papers and sonnets
that identify with the experience of Anzaldua herself. Having experienced childhood in the United States,
being a Chicana, a lady, and a lesbian, the creator appears to have felt the issue of deviation actually. The
issues investigated in the papers and sonnets are tied in with feeling unique and being accused for that,
detecting an unfitness inside the network, being not able and reluctant to comply with the social standards
you don’t comprehend, or think about uncalled for. Anzaldua works admirably sharing and giving her
sentiments and feelings to the peruser, most likely because of the way that each and every one of those
emotions and feelings is valid, solid. what’s more, now and again agonizing.
With regards to social contrasts, the issue of aberrance is basic. The standards, convictions, and customs
of an outside culture are now and then observed as bizarre or basically off-base. Anzaldua addresses this
issue from two distinct sides. As a Chicana, she was degenerate towards American culture since her way
of life, the language she talked, and the manner in which she looked were changed. As a lesbian, she was
freak towards her own way of life too, since the job of a lady in Hispanic conventions is unbendingly seen
as that of a more vulnerable, hesitant individual who totally and completely relies upon the man in the
family. “… The Church demands that ladies are subservient to guys” (Anzaldua, 1987) and going to chapel
is a significant social angle in Hispanic culture. It is men who decide—for themselves, yet for their
spouses and kids also. It is men who have the opportunity of decision.
Anzaldua depicts how she encountered the sentiment of being degenerate towards society and not having
a place with the network she lives in, “The eccentric are the mirror mirroring the hetero clan’s dread:
being extraordinary, being other than and accordingly lesser, along these lines sub-human, in-human,
non-human” (Anzaldua, 1987). Recognizing that somebody is not the same as you in their musings,
conclusions, conduct, and appearance isn’t as simple as it might appear when these characteristics
matter to you. In any case, recognizing that being diverse isn’t better or more regrettable—it is just not the
equivalent—is the thing that numerous individuals neglect to do, regularly without acknowledging how
prejudiced they are. The writer herself, notwithstanding, shows that she is all around progressive about
her convictions, her assessments, and even the language she talks—the book is composed similarly in
English and Spanish. The writer normally changes from one language to the next, demonstrating not just
that she is bilingual, however that she is a person over every single other quality, and it is the substance,
the significance behind words that issues, not the structure or language in which they are composed.
In the presentation, Anzaldua goes to nature. She depicts the sea—its magnificence, its opportunity, and
its solidarity. The embodiment of nature is tied in with being indivisible; various plants, animals, and
normal wonders—interconnected and reliant, living in balance. Be that as it may, people are the special
case, as we make unnatural outskirts. We isolated, isolate, name, and separate; we stifle and implement
similarity. I accept this is one of the primary subjects of the entire book. All things considered, the most
significant and ground-breaking fringes are not the physical ones, yet those social positions, gatherings
and roofs that are unbreakable in spite of the way that such a large number of decide to deny their reality.
References
Anzaldúa, Gloria. Borderlands – La Frontera: The New Mestiza (1999). Auntie Lute Books.
Language is a Place of Struggle:
