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Roland Barthes’ Camera Lucida

This book is a note from Rolandba ‘s close – up to record his rationalistic pictures, shapes, types, and types. Roland Burt was a French scholarly scholar, a thinker, an etymologist in his life, yet shockingly he was not a picture taker. Since Barth accepts that works of art contain images and structures, I contemplated semiotics and structuralism. Through Camel ‘sida, in any case, he perceived the confinements of structuralism and the utilization of semiotics and structuralism to investigate the impression of the photos.

“Nonappearance, deference, despairing …… I state this is the first language of the photograph.The photos of Roland Bart’s Camera Lucida and Susan Sontag are significant writings of photography theory.These works are the two demonstrations The thought as a thing actuates and deciphers marriage among memory and want Pictures are established in sentimentality – this can be clarified as a condition of want for despairing Memory existing apart from everything else or recollections of things to come For the delight of memory, or to murmur, for. ”

Bernard Stiegler talks about this principal change with his own paper “The Discrete Image”, Stiegler obtained from Camera Lucida of Roland Barthes, through reproduction (ie photochemical) photos, watchers have some level of picture loyalty I trust I am sure. Past occasions, what Stögler calls “discrete pictures” or “simple computerized pictures” are totally overlooked in the advanced field. As Stigler clarified: Digital photographs suspended a portion of the intentional convictions of the reenacted photos themselves. At the point when I saw a computerized picture, I was unable to make certain of what I saw – it was additionally a matter of photography, so it never existed. Simple computerized pictures question the objectivity of focal points in supposed simple photos of Andre Bazin, and Bart considers it a possibility of photography.