Female singers’ representations of “”the other woman”” in songs about cheating in romantic relationships 

 

Playlist:

“”The Other Woman”” (Lana del Rey, Nina Simone)
“”Jolene”” (Dolly Parton)
“”Fist City”” (Loretta Lynn)
“”Sorry”” (Beyonce)
“”Be Careful”” (Cardi B)
“”FU”” (Miley Cyrus)
“”Cruel Summer”” (Karen Elson)

Pattern: In female singers’ representations of “”the other woman”” in songs about cheating in romantic relationships, the other woman is depicted as a fake, someone who is attractive on the outside, but not actually worthy or capable of love since she is either capricious or out for something other than love.

answer the following questions about your playlist :

What dominant message is depicted about the topic in your playlist?
What other or secondary dominant messages are there?
What can we learn about our own social moment or cultural attitudes or approaches to this topic based on these messages?
How can we learn this kind of thing from songs on a playlist?
What are some outlier positions (ones that don’t fit into the dominant message), and how do they mark a shift in thinking about the topic?
What other patterns do you notice emerging from your playlist? In short, what else or what all can we learn from your inquiry? For instance, has thinking about the topic evolved or changed over time? You could look, for example, at the dates your songs were published to determine if there has been a shift in thinking about the topic over time or you could look at a particular genre or the race and/or sex of artists to note any differences in their treatment of the topic (for example, does country music treat “”cheating”” or “”the other woman”” differently than pop, rock, or alternative music? or do men treat the topic of cheating differently than women?).” 345 https://www.homeworkmarket.com/homework-answers?page=345

Sample Solution

Overall, jus in bello suggests in wars, harm can only be used against combatants, never against the innocent. But in the end, the aim is to establish peace and security within the commonwealth. As Vittola’s conclusion: ‘the pursuit of justice for which he fights and the defence of his homeland’ is what nations should be fighting for in wars (Begby et al (2006b), Page 332). Thus, although today’s world has developed, we can see not much different from the modernist accounts on warfare and the traditionists, giving another section of the theory of the just war. Nevertheless, we can still conclude that there cannot be one definitive theory of the just war theory because of its normativity.

Finally, jus post bellum suggests that the actions we should take after a war (Frowe (2010), Page 208).

Firstly, Vittola argues after a war, it is the responsibility of the leader to judge what to do with the enemy (Begby et al (2006b), Page 332).. Again, proportionality is emphasised. For example, the Versailles treaty imposed after the First World War is questionably too harsh, as it was not all Germany’s fault for the war. This is supported by Frowe, who expresses two views in jus post bellum: Minimalism and Maximalism, which are very differing views. Minimalists suggest a more lenient approach while maximalist, supporting the above example, provides a harsher approach, punishing the enemy both economically and politically (Frowe (2010), Page 208). At the last instance, however, the aim of war is to establish peace security, so whatever needs to be done can be morally justified, if it follows the rules of jus ad bellum.

In conclusion, just war theory is very contestable and can argue in different ways. However, the establishment of a just peace is crucial, making all war type situation to have different ways of approaching (Frowe (2010), Page 227). Nevertheless, the just war theory comprises of jus ad bellum, jus in bello and jus post bellum, and it can be either morally controversial or justifiable depending on the proportionality of the circumstance. Therefore, t

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