Feminist Analysis of Pop Culture

 

 

 

P​‌‍‍‍‌‍‍‌‍‌‌‍‍‍‌‍‌‌‌‍​repare a 4-6 page analytical paper selecting a contemporary figure, celebrity, story, film, music video, television program, novel, etc., and make an argument that this figure IS or IS NOT feminist or empowering for women… ***Objectives for this paper are to ?Choose a perspective on feminism from the competing arguments presented in class?Apply course concepts to pop culture that is relevant in your media world?Make an argument on a controversial topic using evidence and textual support*** The introductory paragraph should contain a CLEAR THESIS STATEMENT which names your chosen text and chooses one position which a brief indication of why. For example: In this paper, I argue that Fergie is a feminist icon because her videos can be read as both Stripper Chic and Camp, which celebrates women’s sexual power, deconstructs stable gender qualities, and demonstrates agency and control over her world. -or- Fergie is definitely not a feminist icon or empowering for women because her videos reinforce a narrow focus on women’s bodies, sexuality-based entirely on performing for heterosexual men and not based on female desire, and she uses white privilege and racist framing.?Even if you are ambivalent, you need to argue one side or the other. For the sake of this exercise, you need to argue that the figure either IS feminist or IS NOT feminist, and not argue that there is a little of both. Most popular culture is ambiguous at best, but in order to develop a clear argument, choose a side. ?The paper should contain a detailed explanation (1-2 paragraphs) of what version(s) of 3rd wave feminism you are using to make your assessment of “feminist” or “not feminist. It is not sufficient to quote the dictionary that says “Feminism means equality for women.” Rather, you need to stake a position based on one of the key ideas we have read or discussed in class. To do so, cite, quote, paraphrase, and/or explain one or more of our course readings. You do not ​‌‍‍‍‌‍‍‌‍‌‌‍‍‍‌‍‌‌‌‍​need to use any outside sources to describe your position on feminism beyond our course readings, but you may use outside sources if you tie them into the key ideas from our class. These paragraphs will establish the grounds for your argument that a key text is or is not feminist. For Example: By Stripper chic, I am referring to Clark Mane’s notion of “gaze empowerment” which suggests…Gill argues that hyper-sexualized ideologies masquerade as a feminist choice, and thus… By camp, I use the definition by Shugart and Waggoner…?Your paper should focus on a specific piece of pop culture or a single pop cultural figure as opposed to a general phenomenon. I.e. A video by Beyonce, Katniss Everdeen in the final film of the Hunger Games, the plot of 50 Shades of Gray, The Bachelor, Lara Croft videogame, etc.. You may choose any figure or pop culture event that is relevant to the question of contemporary feminism. Ask me if you are uncertain.? Your paper should not only describe your chosen case but needs to use detailed and specific evidence from your text to support your claims. For instance, if you choose to study a figure such as “Kylie” you need to provide quotes either from her Instagram, commercials, tv show appearances, interviews etc. ?For example:Fergie represents “gaze empowerment” because she demonstrates that she is in control of the encounter. In the song “My Humps,” she claims “You can look but you can’t touch. If you touch it’ll start some drama, and you don’t want no drama. No, no drama. No No No No drama, so don’t pull on my hand, boy…” What this quote demonstrates is that even as she is being visually sexy in public, Fergie warns that she is not available for sexual encounters with all suitors. She will choose who and when she will be touched by men. This supports Shugart And Waggoner’s claim that….” ?A well-organized paper will develop three main points where you detail three different examples of​‌‍‍‍‌‍‍‌‍‌‌‍‍‍‌‍‌‌‌‍​ the same claim or three variations of the claim.

Sample Solution

An incredibly appealing yet air-headed lady named Hedy LaRue, Mr. Biggley’s mystery special lady, is procured as a secretary. Her passageway draws in the consideration of the considerable number of men in the workplace, provoking Bratt to clarify the workplace approach on being a tease (“A Secretary isn’t a Toy”). Finch gains from Mr. Biggley’s secretary, Miss Jones, that Biggley is a glad alumni of Old Ivy school. In the lift by the day’s end, Rosemary’s kindred secretary Smitty encourages her and Finch set up a date (“Been A Long Day”). After they leave, Frump runs into Biggley and Hedy and understands the idea of their relationship. He coerces Biggley into giving him an advancement, by taking steps to tell his mom (“Been A Long Day (Reprise)”).

Finch shows up sooner than expected Saturday morning and sets up the workplace so it would appear that he has been working throughout the night, realizing that Biggley is coming in to the workplace soon. Finch persuades Biggley that he is additionally a pleased former student of Old Ivy and they sing the Old Ivy battle tune (“Grand Old Ivy”). Biggley requests that Finch be given his own office and secretary, and Bratt relegates Hedy to him. With the book’s assistance, Finch understands that Biggley must be Hedy’s supporter and sends her on a task to Gatch, very much aware that Gatch will make a go at her. Gatch succumbs to the snare and is sent to Venezuela, and Finch is elevated to his situation as head of Plans and Systems.

At a gathering for the new Advertising Department head, Benjamin Burton Daniel Ovington, Rosemary would like to intrigue Finch with her new dress, a Paris unique. Be that as it may, the various ladies show up at the gathering wearing a similar dress (“Paris Original”). Hedy, who has had an excessive amount to drink, goes up to Biggley’s office to shower.

 

Slob plans for Biggley to find Finch kissing Hedy in his office, however after LaRue extorts Finch into kissing her, he understands he’s quite love with Rosemary and proposes to her (“Rosemary”). As Rosemary is going to acknowledge, Hedy leaves the washroom in a towel which enrages Rosemary. She leaves, however comes back to reveal to Finch that Bud and Biggley are simply outside. Slob and Biggley stroll into the workplace similarly as Finch grasps Rosemary. Ovington is compelled to leave after Finch prompts him to uncover to Biggley that he is an alum from Northern State, Old Ivy’s harsh adversary. Biggley names Finch Vice-President in Charge of Advertising. Biggley leaves as Finch and Rosemary proclaim their affection for one another, and Bud Frump pledges retribution to stop Finch’s transient ascent (“Act I Finale”).
After two days, Rosemary feels disregarded by Finch and chooses to stop.

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