Film Analysis in relation

 

Choose ONE of the prompts below:

1) Analyze shot composition and camera movement, editing, and/or sound in Cleo from 5 to 7. How do they convey emotion, reveal thoughts and identity of characters (especially Cleo), and ways of thinking and viewing the world? How does the director Agnes Varda play with these elements and what effects does this play have on the narrative or our understanding of the film? *The film can be viewed for free on kanopy.com. Create an account and sign in with your CCC email address and password.
2) Analyze 2-3 aspects of cinematography (color, camera angles and movement, shot composition, lighting, special effects) in the film Hero. How do they convey meaning or emotion, comment on the narration (story), and create artistic effect? Provide detailed analysis of these effects in specific scenes in the film.
3) Analyze sound and editing in the film His Girl Friday. Provide specific examples of each and how they impact our understanding of the characters and their relationships. Why and how are the sound and editing significant in each scene?
4) Analyze 2-3 aspects of mise-en-scene (lighting, costume/make-up, props/setting, acting) in The Kid. Provide specific examples of each and how they impact our understanding of the characters and their relationships. Why are these aspects significant in each scene?
5) Analyze sound and editing in the film Battleship Potemkin. Why are certain images placed together and what is their effect? How does sound bridge images or create tension in specific scenes? You may also consider shot composition/angles in your discussion.

 

Sample Solution

Some accept the world is formed by notable individuals and their activities. Others accept history is driven by class battles. However others say it is while contradicting perspectives experience each other. History isn’t simply giving straight realities yet additionally makes contentions in a particular subject. Antiquarians use or do the investigation of authentic strategy and of various approaches to composing history is known as historiography. Historiography is tied in with understanding the techniques by which antiquarians foster their translations, and how these elements impact how history is composed. It is investigation of depictions of the past. Investigation that generally centers around the account, understandings, perspective, utilization of proof, or technique for show of different students of history. The history specialists utilize accumulated realities from essential sources are smidgens of proof afterwards on structure them into justifiable for the perusers or crowd to peruse and comprehend.

The antiquarian’s technique is logical and doesn’t permit the scholarly craftsman’s creative mind to obstruct the logical strategy for exploring the information utilized in authentic composition. The antiquarian’s approach is logical and doesn’t permit the abstract craftsman’s creative mind to obstruct the logical strategy for researching the information utilized in authentic composition. As said by Teodoro A. Agoncillo whom be viewed as one of the main students of history of time his approach to composing and translation presented a more Filipino-driven style, witnessing the situation of the Philippines unfurl through the eyes of Filipinos. was the primary scholastic student of history to dissect the Transformation with regards to the logical inconsistency between various classes in Philippine society. “The country’s underdevelopment can be followed to our frontier history: “This condition was not annulled with autonomy; it was just changed. We see the financial design as the reason for the unfair political framework in which monetary honor turns into the mainstay of political power – a power that upgrades pioneer control and further settles in the hold of the neighborhood world class over individuals.”” As said by Renato Constantino who were a significant impact in the scholarly development of endless youthful Filipinos who marked their lives and future in restricting the Marcos tyranny.

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