When developing focus group questions, skillfully compose the questions with the purpose of solving a problem or improving a practice. Developing quality focus group questions requires that you focus on soliciting information that will help you solve the problem of the research. Focus groups are similar to interviews but include more than one participant at the same time, thus developing focus groups questions requires the researcher to be aware of the possible responses to the questions. For this assignment, you will compose three focus group questions that will be used to answer the central research question for your study.
INSTRUCTIONS
For this assignment, you will use the information from the textbook reading this week to develop three effective focus group questions that will help to answer the central research question for your study. These questions must be different than the interview questions and they must be pertinent to a group question and answer session. This is a 3-4-page assignment.
• The first page should be a correctly formatted (APA style) title page that includes the title of your study.
• The second page should include the Central Research Question for your study and list three focus group questions that will help to answer the central research question of your study. All three questions must be open-ended questions. Do not ask a simple yes-or-no answer question. The three questions must be supported by the literature; thus, each interview question must contain at least one citation.
• The last page of the assignment should be a reference page. At least two references must be included. All references must be peer-reviewed scholarly journal articles published within the last five years.
A focus group is a group interview with a limited number of persons who are demographically similar or who share other common features or experiences. Their responses to specific questions posed by the researcher/evaluator are investigated. In market research, focus groups are used to better understand people’s reactions to products or services, as well as participants’ impressions of shared experiences. The debates might be moderated or unmoderated. Focus groups can be used in market research to investigate a group’s reaction to a new product or service. They can elicit lessons learned and recommendations for performance improvement as a program evaluation technique. The goal is for the researcher to comprehend the reactions of the participants.
“Licensed innovation is the oil of the 21st Century” – Mark Getty. This assertion remains constant in the present day and age. Protected innovation is acquiring significance at an outstanding rate as the days go by. Today, licensed innovation regulations offer colossal insurance to the proprietors and their privileges over such properties, thusly empowering them to popularize such manifestations of their psyches. Besides, probably the greatest organizations on the planet, including any semblance of Apple Inc. depend vigorously on the insurance presented by Intellectual Property Right Laws. Be that as it may, there is by all accounts a lacuna to the extent that assurance to non-customary types of protected innovation is concerned. This article aggregates the situation with non-customary exchange marks India and different purviews.
Non-Conventional Trade Marks and Graphical Representation
Area 2(1)(zb) of the Trade Marks Act, 1999 characterizes exchange mark as “an imprint equipped for being addressed graphically and which is fit for recognizing the labor and products of one individual from those of others and may incorporate state of merchandise, their bundling and mix of varieties.” Non-traditional exchange marks have turned into the worry of makers decently as of late with the development being used of imaginative advertising and marking methodologies. Non-customary exchange marks are those which are past the domain of the definition given in the regulation and start from sounds, smells, tastes, surfaces, and so on. While the regulation doesn’t unequivocally bar such exchange denotes, the utilization of the words “fit for being addressed graphically” confines the extent of the definition. Prior, as per Rule 2(1)(k) of the Trade Mark Rules, 2002, ‘graphical portrayal’ just implied portrayal in paper structure. Nonetheless, the most recent Rule 2(1)(k) of the Trade Marks Rules, 2017 characterizes ‘graphical portrayal’ as portrayal of an exchange mark for labor and products addressed or equipped for being addressed in paper structure and remembers portrayal for digitized structure. With the incorporation of portrayal in digitized structure, the extent of the term ‘equipped for being graphically addressed’ has broadened significantly. This change is a beam of expectation for owners of non-customary exchange marks like smell checks or movement marks which are not fit for being graphically addressed in the conventional sense. The term ‘digitized structure’ has a wide extension for understanding and might be utilized by owners for their potential benefit. ‘Digitized structure’ could be perceived to mean a computerized variant of a graphical portrayal, say a representation in a pen-paper configuration or it might actually mean advanced information like brief snippets or mp3 accounts in the event of sound imprints. Permitting exchange imprints to be carefully recorded is a gigantically moderate advance for non-ordinary exchange marks and their enrollment.
Sorts of Non-Conventional Trade Marks
Sound Mark
Sound imprints are a sort of non-ordinary exchange mark wherein the particular sound or sound means that the beginning of the imprint. Today a remarkable sound or blend of sounds or a mark sound, is one of the most impressive showcasing devices. Snappy jingles are a splendid method for guaranteeing the purchaser connects the item or brand with said jingle, for example sound imprint. Be that as it may, because of the utilization of the words ‘equipped for being graphically addressed’, sound imprints are frequently difficult to get enrolled. Because of the consideration of computerized structure in graphical portrayal, enrollment of sound imprints is presently generally simpler. Prior, when graphical portrayal was restricted to pen and paper design just, it was imagined that an obvious solut