History of Western Music: Era of Church and Patron

 

Discuss three pieces of medieval music from the time periods covered in Weeks 1–4 of our course, one (1) “known” (i.e. discussed in lecture and/or section) and two (2) “unknown” pieces that were not discussed in any class. Scores and sound files are provided for all three pieces. The texts and translations for all three pieces are included at the end of this document. For each piece, write 500-700 words identifying the piece’s genre and where and when it was likely written (dating by century or half-century is fine). Describe the stylistic features of both music and text (words) that allow you to make this judgment. Compare the unknown pieces to music we covered in class that it resembles. Do include definitions and historical information (when appropriate) from class in your discussion. Refer to measure numbers in the score to identify specific details, if needed. It is not enough to name the title and composer (if known), you must describe and discuss the work’s musical features.

 

 

Sample Solution

 

 

 

 

 

 

Longfellow, Long Fame

The artist may not be discussing himself, yet Henry Wadsworth Long Fellow has absolutely gotten one of “extraordinary men”. At last it will move “common war”. In his celebrated sonnet “The Psalms of Life” he says “The lives of the incredible individuals advise us that we can make our carries on with respectable …”. One of the well known artists has been appreciated by such individuals. As Charles Dickens and Walt Whitman.

Henry Wadsworth Longfellow utilized a ductic hexameter (which is masterminded in progression to six Daktil) on the long and first line of his sonnet “Evangelin”. “This is the crude man of the woods” Pine and Tuga (Long Fellow is likewise a case of the last Daktil with syllable brevity and the other is Catatrexis) “Five Ducklings play Beyond the head of a mountain “, it is as a conspicuous difference to the inner rhyme where words in a line rhyme with another word toward the stopping point or somewhere else in the sonnet. As frequently utilized in Shelly’s “mists”, “I am a young lady on the earth and water … /I will walk the pores on the ocean and the coast. At the point when the principal sound is rehashed,” The boat is embarrassed about the coast ), Sometimes called rhyme or first rhyme

As of late, I have perused some Henry Wadsworth Longfellow (1807-1882). Long Fellow is a verse artist who attempted his hand in a free sonnet. I composed the long individual in detail. I concede that I can not turn myself “Evangeline” and “The Song of Hiawatha”. I comprehend that this chic verse was composed and acknowledged before the consistent development of radio, TV, Sony Walkman and the Internet. I might want to find out about the verse of the nineteenth century for about 60 minutes.

Hiawatha’s tune is one of only a handful hardly any long verse of Long Fellows. Longfellow broke portion of the ladies in Ojibwe with the eyes of Henry Law Schoolcraft (1793 – 1864), ethnologist, traveler, and Indian operator. Long Fellow debilitates the character’s gallant status by communicating it as “puerile and juvenile” instead of a widespread individual, joining legends and history. Now and again he may appear to be unique from human needs normally, at times as compassion (Wagenknecht, pp. 102 and 96).

 

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