nsequently are considered more aesthetic than environments without these elements (W., K., & J.,2010). This article also mentions that the principles, do perception and cognition, are based on the evolutionary history of human beings and that the environment with sufficient prospects and evasiveness increases the probability of survival of humans and early humans (W., K., & J.,2010). These principles show that people prefer the edge rather than the middle space; there is space for the ceiling or the roof; providing unobstructed space; these types of spaces are spaces that provide a sense of security and are concealed. So, people prefer this type of space. For example, in the 20th century, various spa places for women, considering the privacy and security of customers, in order to attract more customers and improve the consumer experience.
About the impact of perception and cognition on environmental design, the article design as narrative: a theory of inhabiting interior space proposes a new theoretical framework derived from the narrative structure. It establishes specific design criteria suitable for understanding the human experience of indoor spaces (Ganoe,1999). Use predictive methods to explain the possible human response to interior design. This approach is like the personal narrative. By combining the complex diversity of humans and society, it can help designers make informed decisions and better judge the design direction and theory of complex and abstract phenomena. “Design narrative theory provides a practical and dynamic system for acknowledging the importance of human meaning in interior space (Ganoe,1999).” This article mentions the discuss accessing of human meaning “alter the consciousness of the designer’s concept means “challenges the imagination and offers emotional rewards regardless of its pragmatic duty (Ganoe,1999).” In this way, reference can be made to reflect a designer’s design process, as well as the individual’s unique understanding of the world and the psychological relationship with the world. Human beings reflect on their own life experiences and understand this experience in a language-supported way so that people can work better and cooperate with others. The author says, “Use of a narrative framework made specific to interior design can assist the designer in making wise concrete decisions about complex and abstract phenomena” (Ganoe,1999). The new standard provides a deeper understanding of the customer’s preference for the design style so that it can better design a place space for the user. For example, the color
design of kindergartens, designers have used children’s understanding and percept