Idiosyncratic and systemic risk.

 

Chapter 19 primary question: Explain how exchange rates and interest rates are linked (including the mechanisms for that linkage.)
Chapter 20 primary question: Why and when was the velocity of money stable and why and when was it unstable?
Chapter 21 primary question: Fully develop the AD/AS model with inflation and output as its axis labels in both the short run and long run. Be sure to include all of the elements that go into its development.
Chapter 22 primary question: Describe the Great Moderation, when and how it came about and why it ended as badly as it did.
Chapter 23 primary question: Summarize all of the channels by which the monetary policy transmission mechanism can work.

example of a really good answer:
Distinguish between idiosyncratic and systemic risk.

Idiosyncratic risk is the risk that results from owning a specific security in the form of a stock, bond, CD, etc. It is the risk you think of when you think about losing money investing in a specific thing. For example, if you bought a share of AMZN, and then earnings came out and they were disappointing and the stock price falls resulting in you losing money, you just suffered the consequences of idiosyncratic risk. You can diversify against idiosyncratic risk by purchasing many different securities so that when one does poorly, it doesn’t affect you as much because the others are likely to not be suffering the same problems.
Systemic risk, on the other hand, is risk that affects many securities at once. These are often geopolitical events that result in the market as a whole being affected. For example, a highly infectious virus might originate somewhere in the world and start to spread aggressively causing economic slowdowns/lockdowns that in turn affect the performance of many securities at once. These sorts of things are generally out of the hands of individual investors, and cannot be so easily diversified against.
You might look at it this way. You’re on a ship in the middle of the ocean. There are things you can do to make sure you don’t fall off of the ship. You can avoid the top deck, wear a restraint of some sort, make sure people are keeping track of you, etc.. Here, you are doing what you can as an individual to manage the idiosyncratic risk of falling of the ship. However, if the ship is sinking, that might be out of your hands. Now you have the systemic risk (the sinking ship) that you cant do much about. This will affect all of the passengers (securities) at once, and diversification (risk management) will not have helped that much.

Sample Solution

Idiosyncratic and systematic risk

How are exchange rates and interest rates linked? Interest rates, inflation, and exchange rates are all highly correlated. By manipulating interest rates, central banks exert influence over both inflation and exchange rates, and changing interest rates impact inflating and currency values. Higher interest rates offer lenders in an economy a higher return relative to other countries. Therefore, higher interest rates attract foreign capital and cause the exchange rate to rise. The impact of higher interest rates is mitigated, however, if inflation in the country is much higher than in others, or if additional factors serve to drive the currency down. The opposite relationship exists for decreasing interest rates, that is, lower interest rates tend to decrease exchange rates.

hand, is concerned with decayed emotion. An inconsistency in Gothic is that ‘Gothic novelists did not know how to release their own feelings of frustration and rebelliousness. Their fiction is both exploratory and fearful’ as Kilgour tells us. It usually results in the death of a villain. Miles has a valid point about how you cannot constrain Gothic to a particular type of text, preferring to class Gothic literature as a taste or preference. Overall, I will show that the reception of gothic writing-its institutional and commercial recognition as a kind of literature- played a fundamental role in shaping many of the ideological assumptions about high culture that we now associate with the term Romanticism. The Gothic novel was first invented almost single-handedly by Walpole as The Castle of Otranto fits most of the classifications we see in Gothic today. ‘The Gothic, like any genre, depends on a system of classification, and because genres, as Derrida argues, are never pure, and systems of classification, according to Foucault, cannot be verified, one is pressed to investigate and contest the validity of the definitions and conceptions typically attributed to the term “Gothic”, a kind of writing that is evidently heterogeneous and impure’ (Alshatti, A. (2008).). Walpole’s novel was imitated in the eighteenth century, but it was enjoyed widespread influence in the nineteenth century partly because of the era’s understanding in dark and fascinating themes. He could be said to have been influenced by Shakespearean dramas because in The Castle Of Otranto he plays around with mental disturbances, where Manfred seeks to marry the soon to be wife of his dead son Conrad to keep his genes alive throughout generations. Lady Macbeth evidently suffers from a psychotic disorder with the misfortune of hallucinations which can be induced by extreme guilt. She has the sense of heavy guilt because her and her husband killed King Duncan in cold blood. Gothic, it can be argued, was instrumental in the decisive shift towards popular fiction in its modern form, aimed at a brood readership, commercially streamlined, form

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