Joanna Drucker; The Artist’s Book as Idea and Form.

 

Visit http://www.milpedras.com/en/noticias/52/the-artist-s-book-as-idea-and-form/ and read the extract from first chapter by Joanna Drucker; The Artist’s Book as Idea and Form.
Also look at these websites:
https://www.printedmatter.org/about/artist-book
http://guides.library.yale.edu/content.php?pid=17291&sid=4118526
https://www.cbbag.ca/
http://library.rit.edu/cary/
https://www.moma.org/calendar/exhibitions/439
https://nmwa.org/learn/library-research/artists-books/

https://libguides.pratt.edu/artistsbooksguide

We will be visiting the wonderful collection of Artist Books from Special Collections at RIT with Kari. During the presentations, please take notes of the media, methods and diverse techniques.
Choose at least three of your favorites. Record the artist, themes and a description of the content.
Be prepared to discuss in class next week the three books you choose as your favorites.
Write a brief, one page proposal of an approach you will explore in creating your own artist book. Include possible media, methods and themes.

Sample Solution

There is no doubt that the artist’s book has become an art form developed in the 20th century. In many respects, artists’ books can be argued to be the predominant form of art of the 20th century. The artist’s book appears in all major streams of art and literature, and its contributions make it unique among all the many avant-gardes, experimental and independent groups that shaped the artistic activities of the 20th century. Provided a means. At the same time, the artist’s book itself has evolved into a field, and its history is only partially related to mainstream art. This development is especially noticeable after 1945 when artists’ books have their own practitioners, theorists, critics, innovators, and foresight.

x’s contempt for the capitalist society of which he was surrounded in is seen clearly in his Economic and Philosophical Manuscripts written in 1844. These focus on the issue of alienated labour of which engulfs the early industrialist society he lives in. For Marx, the link between alienation and capitalism is inherent due to the ‘exploitation and injustice’ within the profit-fuelled structure of capitalism (Pappenheim, 1967: 81). It is important to note that both workers and capitalists are alienated within a capitalist system but for this essay, the focus will solely be on alienated labour. Marx splits this alienation into ‘four progressive degenerating senses’ (Dale, 2016: 91) which this essay will outline before assessing the extent that this concept is strictly linked to capitalism or whether it is present in all of human life. It will then argue that the link between alienation and capitalism can be undermined by Marx’s contradictory assessment of alienation and asses the level that his arguments can be valued today.

Before evaluating the links between capitalism and alienation, one must appreciate that the basis of Marx’s theories are on the Industrial Revolution over a century ago. Therefore, Marx is able to simplify the capitalist structure of society into the bourgeoisie – who own the means of production and capital produced – and the proletariat – who are the labour forced and can be named as the labour here. For Marx, labour should be a ‘use value’, in that it should be produced to satisfy man’s needs (McLellan, 1978). This is clear in his writing: ‘From each according to his ability. To each according to his needs.’ (Marx cited in Conly, 1978: 90) which can be simplified into one should make as much as he both can and should produce. Instead, in a capitalist society, labour becomes a commodity owned and controlled by bourgeoisie thus removing the human nature present in organic production and creating the ‘objectification of labour’ (Marx, 1844 cited in McLellan, 1978: 78). This concept of how the labourer is separated from the product of work is the first form of alienation that will be discussed. As the worker put effort and skills into his products as ‘is necessary and universal aspect of human life’ (Ritzer, 2000: 60), he becomes alienated from his capital as he has no control or ownership of it. Instead, his product ‘confronts [the labourer] as an alien being, as a power independent of the producer (Marx, 1844 cited in McLellan, 1978: 78). This distortion is a product of capitalist structure of society whereby the more the worker produces, the cheaper his labour becom

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