Lab Analysis

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Important note: For each lab section, a course link has been created on Blackboard and depending on the lab section each of you registered in, you have access to it. Please note that you should go to that link for access to the lab contents for each week. For instance, student “Alice” has registered for the lab section 51. When she logs in to Blackboard, in addition to the link for this course, there is another course link, called “COMP1400-51-R-2020F: Intro: Algorithms & Prog I”, which is the one for all the students registered in lab section 51. For everything related to the labs, Alice should go to that page. She can then download the lab activity for each week, join the weekly online lab session for Section 51, submit her lab submission files, and check her mark for each lab over there.

This simply means every one of you will have two Blackboard course links for COMP1400. One is the course link you’ve already had, and one for your lab section.

Note 1: The first lab is based on the Unix/Linux system, so if you want to practice the lab activity in your own computer, you have multiple options (if you don’t have Linux OS):

1- Use NoMachine to connect to the servers remotely. Multiple tutorials are available on the “Resources” section.

2- Connect to a CS server (alpha.cs.uwindsor.ca) using ssh, a tutorial is available here: (if you are using a Windows OS, you can simply install Putty and connect to a CS server)

http://www.help.cs.uwindsor.ca/en/servers/remote-access/secure-shell/

3- Using an online Linux terminal (JSLinux): You can click on the following link and start working on an online Linux terminal:

https://bellard.org/jslinux/vm.html?url=https://bellard.org/jslinux/buildroot-x86.cfg

* if you run gcc for the first time, it may take some time, because it has to download GCC and all dependencies. Next time you run, it will be much faster. If you want to compile your file faster, you can use tcc instead of gcc .

** This is good for temporary access to the Linux environment, especially if you want to practice Linux or C programming or test your program (generally, each time you click on the link, the server assumes you are a new user) so whenever you close the browser or the tab, the session is ended, and all files or directories that you have created on it will not be accessible.

4- You can install Cygwin (it is a set of tools that makes a Linux-like environment on Windows) :

https://cygwin.com/install.html

Note 2: multiple tutorials are available on the “Resources” tab.

Very important note: if you want to use a CS server, first you should activate your account on the following website:

https://auth.cs.uwindsor.ca/

Sample Solution

In a similar sense, Krogstad’s introduction to Nora’s household is a metaphor for the spread of capitalist ideology in Europe, and the consequent corrosion of the security attached to the domestic household. Krogstad is introduced as he enters through an unlocked door in the Helmer’s household “Now the door is pushed ajar, and Krogstad appears.” (130). Like Sandip, Krogstad’s arrival is sudden and unforeseen. By focusing on the unlocked door, it is clear to see that the bourgeoise household is defenceless in keeping intruders out. It is a facade of security that is easily compromised. Furthermore, Krogstad’s silent observation of Nora’s game with her children “what shall we play? Hide and seek?” (129) provides an unsettling sense of voyeurism as he intrudes on an emphatically private moment. This casts Nora’s household from its preconceived notions of seclusion and exposes it to be scrutinized by the outside world. Nicholas Grene extends this line of thought by stating that “the revolutionary innovation of Ibsen’s A Doll’s House was to turn that scene of the glass-walled conservatory the other way around, to put the audience of the play in the position of the townspeople, gazing in at the middle-class marital home.” (16). Grene’s point is a significant one as it illuminates the importance of staging in corroding the distinct lines between the interior and exterior world. The set of the bourgeoise household may be constructed to appear superficially private but it is, in fact, a stage. This means that it is designed for the sole purpose of being gazed upon and dissected. In this sense, there is a definitive and noticeable breach between the domestic household and the external world as the audience observes the bourgeoise home. This, Branislav Jakovljevic posits, means that “the reality of the stage is always measured against the truth of the outside world.” (432). In other words, the facade of the ideal household is exposed by means of the audience witnessing its gradual u

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