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In the 1950s, anthropologist Horace Miner wrote “Body Rituals among the Nacirema (Links to an external
site.)” (note that “Nacirema” spells “America” backwards). Miner described aspects of U.S. culture from the
perspective of a distant observer and emphasized that the task of anthropology is “to make the strange familiar
and the familiar strange.” On one hand, this means trying to make sense of something that is unfamiliar to you,
while also attempting to examine everyday, mundane practices that are familiar to you in new ways.
This photo challenge requires you to focus an anthropological lens onto your own culture. Specifically, you will
turn some ordinary aspect of daily life into the object of ethnographic observation. To begin, consider the
following:
Think about a familiar routine or common activity in daily life that an anthropologist observing from another
planet might find strange (if there were actually anthropologists on other planets).
What is involved with this activity? What objects or other factors are involved? What are the details of the
process or steps involved?
How is this activity connected to social life, status, and identity? Is it interconnected with economic or political
processes? Etc.
Using a holistic approach and considering the “big picture,” what would the anthropologist conclude about the
function or purpose of this activity?
Once you’ve thoroughly investigated this activity, think about how you can capture it in one compelling photo.
Your caption should present the etic (observer’s) perspective of this activity, with consideration of the questions
provided above. It should be a reflective caption in paragraph form based on your analysis (not just a list of
answers the the questions).

Sample Solution

n the connected score. To more readily contact his crowd, he realized he needed to join thoughts that they would perceive. Shostakovich utilizes an ostinato on a solitary contribute starting measure 25 to present what could be viewed as a dysphoric theme. As the development advances, the rhythm quickens just as the elements in the end advancing into a walk style. This means that the intensity of the Soviet machine attempting to a positive end or goals toward the finish of the development with a climbing chromatic glockenspiel solo. Beneath the surface the main development shouts of disaster and misery all through the starting area. Surrendering at last to the mistreatment of the Soviet machine with a brutal battle ready advance in the walk presented by the percussion. The dancing scherzo feel of the subsequent development is awkward now and again and on occasion clever or light. The dances are acted in a progression of minor keys. Shostakovich utilizes elements to help with creating an ironical impact. The audience may feel awkward or fomented because of the force of the rhythms. To the system, this development may have appeared to be glad or interesting. Conceivably the principle point of convergence of the Fifth Symphony all in all is the extraordinarily energetic and moving third development. To accomplish this degree of feeling Shostakovich joins an incredible number of components. Right now, metal are unsaid with an attention on the strings, winds, harp and celesta to make a serious, respectful choice. The third development is not kidding and intelligent and works in force. Shostakovich copies the string part and duplicates the violins an octave up from their partners, which gives the thought process a sorrowful, sobbing quality. The strings draw out a tragic tune then the flute and oboe coast above it. Different performances in the breezes weave all through the piece. The amazing song in the long run offers route to a chorale-like minute at practice stamping 78. The going with strings start to play supported notes under a singing dismal tune from the primary violin. The area sounds practically like a congregation psalm. The strict undercurrent is another case of the contribution of natural material to speak to his crowd. As the development proceeds, the strings blur into an automaton that sits underneath other soloing instruments introducing their eerie versions of the violin tune. The music constructs gradually until it arrives at the high point communicated by the xylophone and violin as the remainder of the strings play a tremolo. This development could be deciphered as a serious tribute to the persistence o

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