Man with a Movie Camera (1929)

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The Soviet film, Man with a Movie Camera (1929), directed by Dziga Vertov, is an experimental depiction of a dynamic city that served as a commentary on the Soviet ideal of future humanity: always on the move, a perpetual revolution. Three decades later, in his 1954 essay, “Questing Concerning Technology,” Martin Heidegger presented a critical conception of modern technology. Explain how Heidegger would critically interpret Vertov’s film based on his 1954 essay.

 

 

 

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Martin Heidegger’s 1954 essay, “Question Concerning Technology” is a critical exploration of modern technology and its impact on our lives. In it, he questions the notion that technology is merely an instrument for progress and instead views it as something that shapes the way humanity views reality. Through this lens, Heidegger would likely interpret Dziga Vertov’s 1929 film Man with a Movie Camera in a critical light.

Heidegger claims that humans have become consumed by technology to the point where they forget what it means to experience life outside of technological devices—a theme highlighted by Vertov’s film. As human beings constantly move through the city via machines—such as cars or trains—they are distanced from their surroundings and hence detached from their true selves (Benjamin). This idea of perpetual motion serves to further distance humans from nature while simultaneously creating an environment where they no longer exist independently or authentically; rather, they exist only in relation to what technology has created (Heidegger). Despite attempting to depict a utopian image of future humanity through scientific experimentation and technological advancement in his film, Vertov’s vision ultimately reduces humans into cogs within a machine system: unable to disconnect from technological networks imposed upon them.

For Heidegger then, Man with a Movie Camera paints a bleak picture not just of Soviet society but all societies under modernity which have been reduced into mere technology-dependent entities defined by what machines can do rather than who people naturally are. With his film, Vertov exposes how modernity has failed humankind by reducing them into mere objects manipulated by their own creations rather than autonomous individuals making decisions based on personal judgement and inner convictions.

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