Mens rea, actus reus, concurrence and proximate cause

in order to prove a person committed a crime, a prosecutor must prove mens rea, actus reus, concurrence
and proximate cause. As you can imagine, unless a person confesses it is very difficult to prove mens rea.
Absent a confession, attorneys look for clues to prove mens rea. These clues are usually referred to as
circumstantial evidence. You look at the person’s conduct to infer what was the intent. In addition, as stated
in chapter 3, all of the elements must be present for someone to be convicted of a crime. If any of the
elements are missing, then a crime has not been committed, unless the conduct constitutes a strict liability
crime.
In the following scenarios, what factors would you use to support that the person had the intent to commit
the crime? What was the criminal act? What was the proximate cause to the harm/injury? I want you to
focus on identifying the different elements and the facts that support the element.
1) Sally lost her temper while at a restaurant because she believed she was billed incorrectly. While arguing
with the waiter, she slams her chair into the table and is waving her hand in the waiter’s face. Micheal and
his 2 year old son are trying to get by Sally because Michael’s son has to go to the bathroom. They bump
into Sally which causes Sally to slap the waiter. The applicable assault statute: A person commits assault if
they intentionally hit another person. Did Sally commit assault? Defend your answer.
2) Mary was meeting Carla at the mall. Mary decides to go to the Apple Store to browse because she is
thinking of getting an Ipad. She has an iPad in her hand when Carla enters the store, sees Mary, puts her
arm around her and pushes her out the store because they are going to be late for the movie. Mary still had
the ipad in hand. The applicable statute reads: A person committed theft if they had the intent to take
another person’s property without permission. Did Mary steal the Ipad? Defend your answer.
3) Beth was on her way home on the train. She was sitting next to a woman who was sleeping. The
woman’s purse was partially open and an amount of cash was visible on top of the purse. When Beth
reaches her stop, she takes the money as she gets up from the seat and places the money in her pocket.
She exits the train and goes home. The applicable robbery statute reads: A person committed robbery if
they intentionally take another person’s property from the person by force or displaying a weapon. Did Beth
commit robbery? Defend your answer.

Sample Solution

film before its discharge, empowering shoppers time to process Rimowa’s arrangement. In a perfect world, media inclusion encompassing the declaration of brand accomplices itself creates behemothic introduction, bringing issues to light of the film and the item being referred to. Eventually, the enduring effect of taking an interest in the “Bondscape” is an unmissable chance.

Crowd purchaser attachment:

Item situation achievement inalienably depends on crowd shopper attachment; for instance, Muslim socioeconomics are invulnerable to liquor related item position. Rimowa-Bondscape union is proverbial – Rimowa socioeconomics offer to: AB shoppers; guys; matured 30-59 (See Appendix B). Correspondingly, the Bond establishment seemingly bids to guys between the ages of 12-55 (measurable yearbook crowds, 2015). Irrationally, UK film crowds are overwhelmed by 15-multi year olds, at 29% (factual yearbook crowds, 2015), showing hazardous crowd excess. Be that as it may, Specter got better than expected crowd share from the AB gathering, establishing 38% of Specter’s all out viewership (factual yearbook crowds, 2015).

Through the Bond film, we are attempting to accomplish a higher brand mindfulness and review of the item. The watchers can all the more effectively recall a brand when the visual situation approach is perfect with the storyline (Williams et al., 2011). With thought to both visual and aural positions all through the film, it has been featured that customers discover item situation in a film progressively practical, if for instance, the arrangement assist them with envisioning a story that normally suits the subject of the film (DeLorme and Reid, 1999; Sung, De Gregorio, and Jung, 2009; Van der Waldt et al., 2007

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