Miracle Whip

 

How does a sandwich spread that’s been around since the 1930s engage a younger generation?
Miracle Whip took this challenge in 2010 with its “We are Miracle Whip and we will not tone it down” campaign.
The brand secured product placement in the Lady Gaga music video Telephone as well as the video game
Skate 3. It also ran television advertising targeted to the 18- to 35-year-old market that advised, “Don’t go
unnoticed, don’t blend in, don’t be ordinary, boring or bland: In other words, don’t be so mayo.”
Miracle Whip’s public relations bonanza began quickly after the campaign was launched. After Stephen Colbert
of Comedy Central’s The Colbert Report aired the new television ad, he stated that he was offended by the
statement “Don’t be so mayo,” and that he has had it with the “mayo-nay-sayers.” Colbert then ran a
mayonnaise parody ad that featured similar characters and a voiceover that proclaimed, “Don’t be a miracle
wimp.”
The ball was squarely in Miracle Whip’s court. The brand responded by buying ad time on Colbert’s next show;
it ran new ads directed to Stephen Colbert, “mayo-lover,” who “viciously” attacked the product on his show.
Colbert, wanting to get the last word, went on the night after the Miracle Whip ads aired and thanked the
company for their advertising. He noted, “I could certainly use the money to buy more delicious mayonnaise.”
Miracle Whip continued to create more controversy as it moved to its “Love us or Hate us” campaign. This
initiative launched with television ads featuring everyday people and celebrities as they talked about their
feelings toward Miracle Whip. Some of the reviews weren’t very complimentary; comments like “Miracle Whip
tastes like lotion but sweet” and “I could never date anyone who likes Miracle Whip” don’t sell a lot of jars.
1. In what way is Miracle Whip using reference groups and opinion leaders?
2. Do you think these groups will influence other consumers to purchase a low-involvement product like
sandwich spread?

Sample Solution

Miracle whip

Miracle whip is a sauce condiment manufactured by Kraft Foods and sold throughout the United States and Canada. Identifying and using reference groups in marketing are important because reference group influence the attitudes, goals, aspiration, opinions, and information that determine customer standards and expectations regarding your business and your products or services. Miracle whip uses reference groups and opinion leaders in marketing as they help develop a powerful marketing programs that deliver the right message in the right packaging at the right time in the right place. Before you launch a campaign based on reference groups, it will be important to test it with representatives of the target market. Testing will ensure a match with the values, tastes, opinions, and behaviors of the group. An inappropriate reference or image in your marketing collateral, however, will be instantly obvious to the target market and will negatively affect your business’s reputation.

important in this time leading up to the civil rights era. It was said in Post-WWII African-American Musicals by Laurence Maslon: ‘the number of black performers in plays and musicals on Broadway in 1946 was more than five times the number before World War II began.’ To paraphrase another quote from this source, the increased opportunities was a reflection of the social changes during and after the 2nd world war (Maslon, 2018, para.3).

This could be because so many black people, including women, joined the army in world war 2 and helped in the war effort. It was said that they ‘made valuable contributions to the war effort, and earned high praises and commendations for their struggles and sacrifices’, (Historyplace.com, 2018, n/a), effectively changing many people’s attitudes, and changing the face of musical theatre in the 40s.

This can be seen in the multiple shows that came out at the time consisting of an all black cast or an integrated cast, such as the shows Carmen Jones (1943) which was ‘a spectacular hit’. This show lead the way for ‘new prominence to black performers, sometimes in all-black shows,’ (Maslon, 2018, para.3). This is exemplified by musicals such as The Wiz (1974), it ‘opted for racial pride… creating socially significant art’ (Wolf, 2011, n/a). This quote tells us the importance of black people being giving a platform during this time.

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