Nightmare

 

Scenario: Nightmare at Club Fun. Explore the interactive indoor crime scene and interactive patio crime scene. Then, answer the questions below in 1 – 2 double-spaced pages. Use these formatting guidelines: Default Margin Formatting: Alignment: Left Outline Level: Body Text Indentation: Left & Right: 0 Special: None By: Leave blank Spacing: Before & After: 0 Line Spacing: Double At: Leave blank Don’t add space between paragraphs of same style: Do not ‘check’ QUESTIONS Do some web-based research to identify the specific type of flood lighting you would request to photograph this crime scene. Determine​‌‍‍‍‌‍‍‌‍‌‌‍‍‍‌‍‌‌‌‍​ where you would place the floodlights given the entirety of the scene as described) and identify the challenges presented by the Club Fun interior in placing and moving the floodlights. *REMEMBER: There are two victims, in two locations, inside Club Fun.* Identify all the equipment you’ll need to use the PanoScan digital camera to capture this crime scene. Describe the process you’ll use to set up the camera and how you’ll capture the entirety of the crime scene. *REMEMBER: There are two victims, in two locations, inside Club Fun.* Select the specific photogrammetric crime scene reconstruction computer software program you’ll use later in the investigation. Give three reasons you selected this particular p​‌‍‍‍‌‍‍‌‍‌‌‍‍‍‌‍‌‌‌‍​rogram.

 

Sample Solution

me up during the interview, i.e. general introduction, family relationships and family contacting habits. Logical ordering of these topics in the interview was crucial because it established a natural flow of conversation. After starting with basic questions, like How did you get to LSE? I went into more specific ones about family. Finally, I asked them more concretely about the central topic, family communication habits, such as how often do you contact them? or do you have a preferred channel? To link the topics mentioned above, I applied so-called ‘turn signals’, for example, “Now I would like to talk about how you contact your family when you’re here in the UK.”. The reason to use these signals was to steer the interview in the right direction and guide participants. At the end of the interviews, I asked ‘cooling down’ questions that focus on the near future, on upcoming holidays or starting term, because they allow the interviewee to return to the real world.

Having recruited the interviewees and developed the guide, I started conducting the interviews in December 2018 in the study rooms at the LSE Library due to its easy accessibility and quietness. Reflecting on the first interview, I could have let the content drive the process a bit more as opposed to forcing the structure on the interview said by my questions. The learning from the first interview made the second one more relaxed and organised at the same time.

However, I transcribed the interviews only a week later and not at the earliest opportunity. Luker (2008) argues the necessity of immediate transcription because reading written transcripts work differently for the mind than just listening back the records, and early transcription leaves a higher chance of capturing key takeaways. With hindsight, I would transcribe the interviews immediately because, while transcribing the first two interviews, I grasped that there were many spaces to improve both my question and my interviewing style.

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