Poetry in Romantic Music

Load https://www.resonanceschoolofmusic.com/german-lieder/
Read pages 1 and 2 of the featured article, and listen once again to the excerpt from Schubert’s “Erlkonig.”
Visit the Favorite Classical Composers website and read the article about Brahms’ “Wiegenlied” (Lullaby). Read the poetic translation and listen to the song at the bottom of the page.
Read the short article introducing French melodie and some of its early composers.
Listen to Berlioz’s song “Le spectre de la rose” (The Ghost of the Rose).
Listen to Berlioz’s song “Sur les lagunes” (On the Lagoons).
Use the musical examples and the articles to respond to the following prompts:
How are the lied and the melodie similar? How are they different? Which came first?
Two specific composers are mentioned in regard to developing this type of song; one German, and one French. Who are these two composers and how did their contributions to lied/melodie help to popularize the genre?
In general, what do you think about the songs presented here? Does the combination of voice and piano reflect the poetry in each different song?
In your opinion, does the piano accompaniment serve as a partner to the voice, or does it take a background position? Which seems more important to you in the delivery of the emotion the poetry describes; the piano or the voice? Or do both sounds provide an equal contribution to describing the poetic emotions?
“Erlkonig,” “Le spectre de la rose,” and “Sur les lagunes” all speak of death. Describe your impression of each song. How do you feel that the representations of death are similar and/or different? Do any of these songs give you a positive feeling?
Describe your feelings toward the Brahms “Wiegenlied.” What do you hear in the piano and voice parts? Have you heard this song before? Where and when?
Which of these songs was your favorite? Why? What makes you like or dislike this music?

Sample Solution

give the native feel. Sanjeev, a recent immigrant has deep touch with his roots unlike Twinkle. Sanjeev’s stance is clearly seen as he keeps on reminding his wife, ‘We’re not Christians’ (Page 137, 146, IoM). He’s an immigrant, yet, trying to keep his culture etched deep within him. Twinkle, in her habits, is more American than Indian. The cultural alienation and differences are clearly pictured through these close living beings. Sanjeev’s character evidences that an immigrant’s experience in a foreign land is often painful. Twinkle’s affinity towards western accessories disturbs Sanjeev to the core. Sanjeev rethinks the circumstances of his marriage and understands that he’d have preferred a more traditional wife. He has a negative definition of love, i.e. he knows only what love is not supposed to be. The story deals with the early phase of marriage when the partners are emotionally attached to each other.
Conclusion:
Turning inclusive is often seen as a natural process wherein a human being will make an effort to adapt and learn from ongoing situations and circumstances. One can inarguably tell that Jhumpa Lahiri has successfully brought out the ‘maladies’ of the immigrants, who find one culture in their households and the other, completely opposite, once they cross their front doors. The characters of “Interpreter of Maladies,” represent two different worlds, connected with multiple cultures and are struggling to keep their identity as a self in a completely alien land. The stories included in this collection talk about the cultural hybridity and show the struggle of immigrant Indians. The characters seem to be torn from within and lack viable means of articulation of their alienation. Their loneliness in a foreign land is also brought out. It’s clearly evident through the characters that the cultural differences make immigrants feel isolated and marginalised. Cultural hybridity is shown as a way to win over the maladies faced by immigrants. It’s more of a psychological strategy. Ample examples of cultural translations are given through these stories.

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