Security Risk Mitigation Plan

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Take on the role of Risk Management Analyst for the organization you chose in Week 1.
Using the Security Risk Mitigation Plan Template, create a 4- to 5.5-page Security Risk Mitigation Plan for the organization you chose.
Research and include the following:

Security Risk Mitigation Plan:
Select and document security policies and controls.
Create password policies.
Document administrator roles and responsibilities.
Document user roles and responsibilities.
Determine an authentication strategy.
Determine an intrusion detection and monitoring strategy.
Determine virus detection strategies and protection.
Create auditing policies and procedures.
Develop education plan for employees on security protocols and appropriate use.
Provide risk response.
Avoidance
Transference
Mitigation
Acceptance
Address change Management/Version Control.
Outline acceptable use of organizational assets and data.
Present employee policies (separation of duties/training).
Explain incident response.
Incident types/category definitions
Roles and responsibilities
Reporting requirements/escalation
Cyber-incident response teams
Discuss the incident response process.
Preparation
Identification
Containment
Eradication

 

Sample Solution

The Daedalus myth gives a basic structure to Portrait of the Artist. From the beginning, Stephen, like most young people, is caught in a maze, just as his namesake Daedalus was. The schools are a maze of corridors; Dublin is a maze of streets. Stephen’s mind itself is a convoluted maze filled with dead ends and circular reasoning (Hackett 203):

Met her today point blank in Grafton Street. The crowd brought us together. We both stopped. She asked me why I never came, said she had heard all sorts of stories about me. This was only to gain time. Asked me, was I writing poems? About whom? I asked her. This confused her more and I felt sorry and mean. Turned off that valve at once and opened the spiritual-heroic refrigerating apparatus, invented and patented in all countries by Dante Alighieri.

(Joyce 246)

Life poses riddles at every turn. Stephen roams the labyrinth searching his mind for answers (Gorman 204). The only way out seems to be to soar above the narrow confines of the prison, as did Daedalus and his son. In Portrait of the Artist, the world presses on Stephen. His own thoughts are melancholy, his proud spirit cannot tolerate the painful burden of reality. In the end, he must rise above it (Farrell 206).

At first, Stephen does not understand the significance of his unusual name. He comes to realize, by the fourth chapter, that like Daedalus he is caught in a maze:

Every part of his day, divided by what he regarded now as the duties of his station in life, circled about its own centre of spiritual energy. His life seemed to have drawn near to eternity; every thought, word and deed, every instance of consciousness could be made to revibrate radiantly in heave

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