Shakespeare’s Romeo from “Romeo and Juliet”

 

Pick an individual from Shakespeare and explore specific facets of their characterization. Shakespeare is often praised for his carefully woven plots and poetic lines, but arguably the most standout aspect of his work is the distinctiveness of his characters; many playwrights of his time have action-packed plots or brilliant turns of phrase, but few writers of any time period have continued to be as moving as the countless characters Shakespeare invented. For this option, pick one and explore the complexities of how their identity is dramatized. You may focus on more than one character if you’d like to discuss, say, a relationship between two characters or to show how a character from a later play is more multidimensional than a comparable character from an earlier one.

The character you will be talking about is Romeo from Shakespeares “Romeo and Juliet”

 

Sample Solution

Romeo and Juliet is a play about the conflict between the main characters’ love, with its transformative power, and the darkness, hatred, and selfishness represented by their families’ feud. The two teenaged lovers, Romeo and Juliet, fall in love the first time they see each other, but their families’ feud requires they remain enemies. Over the course of the play, the lovers’ powerful desires directly clash with their families’ equally powerful hatred of each other. Romeo makes something as small as simple decision making dramatic. This is a very good trick in keeping the audience attentive; his drama simply lures them in.

discredit or put doubt on the Holocaust’s historical facts. Deniers engage in this behavior to diminish public sympathy for Jews, undermine the legitimacy of the State of Israel, sow doubt about Jews and the Holocaust, and attract attention to certain topics or points of view. However upon the discovery of Anne Frank’s diary, one of the victims of the Holocaust, the scholars had rejected the denial and the British court judged David Irving, a Holocaust denier to be a “historical falsifier, anti-Semitic, and racist who was linked with right-wing radicals who supported neo-Nazism”. Other than that, history interpretation is also influenced by political power. This can be seen in 2007 when Shinzo Abe, the prime minister of Japan at that time stated that there is o prove that sexual slavery was coercion by the Japanese military during the second Sino-Japanese war. Due to this statement, it influenced few people to interpret that the incident never took place, and even some radical groups interpreted the death toll as purely military and that no such crimes were ever committed. This shows how much power politics have in history interpretation among historians and the public. Even so, as a knower, we can differentiate these false interpretations by referring back to the latest evidence that is available and the scholars’ reasoning regarding the history.

In conclusion, we can say that to distinguish between good and bad interpretation is the closeness of it to the truth or reality. Interpretation is a process of triggering the meaning of a certain matter, therefore when the process is being disturbed by certain matters such as exaggeration and denialism, the interpretation being made is still considered as a bad interpretation even though it is the closest to the truth. In both art and history, logical explanation and evidence are required to create a good interpretation. However, this does not limit the use of imagination when interpreting art or historical sources.

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